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John Hench

"Nobody now is going from department to another department. Only Walt did that. I was very fond of him, really."

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"Nobody now is going from department to another department. Only Walt did that. I was very fond of him, really."

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Assegid Habtewold

"Most everyone now personally knows someone who is openly homosexual."

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"I am now seventy, rather glad, really, that I won't live to see the horrors to come in the 21st century."

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"Students now arrive at the university ignorant and cynical about our political heritage, lacking the wherewithal to be either inspired by it or seriously critical of it."

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Assegid Habtewold

"One hundred and ten years from now no one who is here now will be alive."

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Assegid Habtewold

"There's a part of me that wishes I'd never said one single solitary word on any subject publicly. Then I could have been the tortured poet, and there's so much mileage in that. But it's too late to stop now."

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Assegid Habtewold

"For instance, it's a little better now than it was two or three years ago, but something like 70% of the poems I receive seem to be written in the present indicative."

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"If you have tears, prepare to shed them now."

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Assegid Habtewold

"I take responsibility for myself and what I do now."

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"I was probably just trying to be Dennis Miller, but without the vocabulary to actually be Dennis Miller. I guess I was just less interesting than I am now, if I am interesting at all."

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"I don't like directors that just say, Stand there and now do this."

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John Hench
"The colors I choose there was to paint the first hotel, the Disneyland Hotel. Because of the cloudy sky we had in Paris, it had to be a particular kind of color who will fight those grey days. And also something you can see when you're driving up 'There it is! We're arriving!'"
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John Hench
"Color is a very critical thing. I've found that architects don't like colors. Engineers too. And so somebody has to stand in. Because this is the finish of it. It is the emotional part of a structure. I had great satisfaction in doing that."
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John Hench
"I don't think that was too successful. Because I always thought that the two of them should have been more separate. Also I had planned the monorail station to be in the center. So that one day you would have go to World Showcase and then the other day to Future World."
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John Hench
"Big cities are chaotic. And chaos for humans - who have experience from their ancestors - is the last step before conflict. So, in the park, every kind of visual contradiction has been eliminated."
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John Hench
"I suppose that I was a kind of consultant for taste. Is it good taste? Or bad taste? I had an attention to detail, to what would tell best the story. Because many people get excited about the work and drift off from the story."
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John Hench
"We've achieved this feeling, for instance, with the colors. The colors in the park are harmonious with each other, not like in big cities where they don't."
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John Hench
"I have wanted to be a fine artist painter, and I reached the point in art schools were I'd like to understand more about images and how images communicate information to people. And I was not getting very far in that from my professors."
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John Hench
"Walt put everything he knew about communication with images into the park, so it was very familiar."
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John Hench
"We don't have too much ritual in our life anymore. And these life symbols which people rely on to keep their feeling of well being, that life is not too bad after all are required more and more."
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John Hench
"I thought that it would be easier to learn that if I worked in motion pictures. So I went to work with one motion picture producer who was developing a color system. This didn't do to me much good. All I did was pick filters for the camera."
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