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Leo Kottke

"I had been playing single note instruments and I wanted to hear a guitar played as a piano."

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"I had been playing single note instruments and I wanted to hear a guitar played as a piano."

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Amber Hurdle

"What I wanted to do was play the guitar but I don't like instrumental rock. I think it is tripe."

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Amber Hurdle

"We decided to do some of Merle's things with modern instrumentation. We used a flute, a bass clarinet, a trumpet, a clarinet, drums, a guitar, vibes and a piano."

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Amber Hurdle

"There will be some tracks on the next album which that will consist of mostly noise and feedback, whereas others may just have guitar parts and samples."

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Amber Hurdle

"I'm not a really good classical guitarist by any means, but what I learned from this is a way of working very slowly on solo pieces and I enjoyed working on these pieces of John's. They were not written for solo guitar but a lot of them were easy to adapt."

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Amber Hurdle

"My guitar only has five strings 'cause the top one broke and I decided not to put it back on: when I play chords I only play bar chords, and the top one always used to cut me there."

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Amber Hurdle

"It's hard to say this about a guy like Eddie Van Halen, one of the greatest guitar players who ever lived, but he's really limited to a style and they're locked into it."

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Amber Hurdle

"I just hate to be in one corner. I hate to be put as only a guitar player, or either only as a songwriter, or only as a tap dancer. I like to move around."

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Amber Hurdle

"I have no guitar technique."

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Amber Hurdle

"I was playing with steel picks on a steel guitar, and there was no amplification needed."

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Amber Hurdle

"I want every girl in the world to pick up a guitar and start screaming."

Explore more quotes by Leo Kottke

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Leo Kottke
"We spent a lot of time on that record with the sound and recorded it on the Paramount sound stage which is this huge room where the sound is reflected but the reflection is so late and comes from so far away that it doesn't blur the music but gives you a room nonetheless."
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Leo Kottke
"Yeah, the first thing that comes to mind is not to try too hard."
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Leo Kottke
"It was almost two years after I left Capital that I put out the first one on Chrysalis and that was really instructive because it was no better in particular than any other record I'd done."
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Leo Kottke
"I have always thought of myself as a performer first and way down the line as a recording artist."
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Leo Kottke
"I was required by Capital to release one every six months and the fastest I could do with all my touring was every nine months, and it would spook me every time because I never had what I needed and I really didn't want to do covers."
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Leo Kottke
"That was when I found out that you could talk to them and it was a whole other way to blow your stack, and it's so much fun to perform that you want to do it again and the more you get out of it the better."
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Leo Kottke
"I'm not subject to their rise and fall because I'm not accepted by them, so I have my own little curve going on. A lot of it is because of how much I play, I think I connect like when all you had was Vaudeville, I think I have an audience by performing a lot!"
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Leo Kottke
"It's true that the more you put in the more you get out and that has to be there I think, If you aren't really hooked on your instrument this job would be a hell on earth but if you are, it's the best."
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Leo Kottke
"I am evidence that you don't have to sell a lot of records or succeed in the usual way to have a big audience and a job."
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Leo Kottke
"I don't spend a lot of time thinking of what they'll do musically, I try to imagine being locked into a windowless room with this person for twelve hours at a time. If you can look at that and think it might be fun then maybe you've got the right musician."
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