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Roy Wood

"Unfortunately, most of the songs that I write I don't write them with guitar in mind. I just write it as a song and that was probably one of the ones that left an opening for it. The song's all right, I wouldn't choose to sing it now."

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"Unfortunately, most of the songs that I write I don't write them with guitar in mind. I just write it as a song and that was probably one of the ones that left an opening for it. The song's all right, I wouldn't choose to sing it now."

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Akiroq Brost

"I'm not a good guitar player."

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"If you play acoustic guitar you're the depressed, sensitive guy."

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"Guitar players in the nineties seem to be reacting against the technique oriented eighties."

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"I was playing with steel picks on a steel guitar, and there was no amplification needed."

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"He is the king. If it hadn't been for Link Wray and 'Rumble,' I would have never picked up a guitar."

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"I like jazz, but I could never play it. You just sit there with a guitar the size of a Chevy on your chest, wearing a stupid hat, playing the same solo for an hour."

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Akiroq Brost

"I've got holes in my guitar."

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Akiroq Brost

"It all comes down to the density of the wood. Every guitar's different."

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Akiroq Brost

"I'm not good enough to be playin' much acoustic guitar onstage. Man, you gotta get so right; I mean, the tones, the feel, the sound. Plus, acoustic blues guitar is just that much harder on the fingers."

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Akiroq Brost

"I just couldn't take school seriously: I had this guitar neck with four frets which I kept hidden under the desk. It had strings on it so I would practice my chord shapes under the desk and that's about all I did at school."

Explore more quotes by Roy Wood

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Roy Wood
"The best thing I ever heard was in the '60s. I heard Jimi Hendrix play 'I Can Hear The Grass Grow' after a rehearsal, and it was brilliant."
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Roy Wood
"I think it was probably down to the fact that we weren't together personally as a band. We weren't pulling in the same direction. I always feel if you're having a good time in the studio it actually comes across on the tape and that was a bit of a miserable album for us."
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Roy Wood
"Well, obviously I wanted it to sound as original as possible. I suppose the influences that we had were probably from the actual power point of view we wanted to be like the Who. Vocally we wanted to be like the Beach Boys, whatever was good at the time."
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Roy Wood
"Of course, the wind sort of swept up and the music was flying around in mid air and they were trying to play off it. You had to be there. It was quite funny."
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Roy Wood
"I think we were probably playing live for about 12 months before we got a recording deal."
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Roy Wood
"I've always been a bit of a Jekyll and Hyde. I always feel that you should keep singles as commercial as possible so that the people can walk down the road and whistle a song. But on the other hand on albums I think you can afford to show people what you can do."
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Roy Wood
"Even though we didn't actually record it as the Move I had already written a song called 'Dear Elaine,' which I subsequently put on the Boulders album. I thought at the time that was probably the best song I'd written."
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Roy Wood
"The first people I ever saw were probably Little Richard and Gene Vincent."
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Roy Wood
"I've always been that way. I'm not very good at reading music but I'm pretty quick at picking things up."
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Roy Wood
"When we were first started we were doing a lot of Motown stuff, but actually playing it more in a rock way. Everybody in the band sang and we did a lot of harmonies."
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