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"Even colors were important to me. If it was a somber scene, the colors were muted and dark. If it was a happy or seductive scene, the colors were brighter."
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"I loved downers, almost any kind. Loved the colors of them. Loved them yellow... I did. I would just have a bouquet in my hands at night."
"But what is of great importance to me is observation of the movement of colors."
"Novel writing should never be confused with journalism. Unfortunately, in the case of Primary Colors, a fair number of journalists confused."
"Color is a very critical thing. I've found that architects don't like colors. Engineers too. And so somebody has to stand in. Because this is the finish of it. It is the emotional part of a structure. I had great satisfaction in doing that."
"Vocations which we wanted to pursue, but didn't, bleed, like colors, on the whole of our existence."
"And as he spoke of understanding, I looked up and saw the rainbow leap with flames of many colors over me."
"The colors I choose there was to paint the first hotel, the Disneyland Hotel. Because of the cloudy sky we had in Paris, it had to be a particular kind of color who will fight those grey days. And also something you can see when you're driving up 'There it is! We're arriving!'"
"The West is color. Its colors are animal rather than vegetable, the colors of earth and sunlight and ripeness."
Explore more quotes by Donna Mills
"If there is anything I would do differently in my life, it is that I would study business more. I'm trying to teach my daughter Chloe at an early age about investing and money so she's not afraid of it."
"The lighting is so important. One thing that makes me nuts about the lighting now is that they spend an enormous amount of time lighting the set, the background. But the most important thing in the scene is the actor."
"A lot of actors just do whatever they do, and wherever the camera is, it is. They don't pay much attention, but I always did. I was always very close to the camera crew. They were my best buddies, no matter what movie or show I was doing."
"My father was a middle manager at an oil company, but I never knew anything about his work. Whatever business acumen I have just got gleaned over the years."
"I kept bugging them about making it more upscale, because I felt Abby, through her cleverness and business sense, was a character who would move up. And that's what she did."
"I was always cutting dialogue out when we were rehearsing, and when I produced movies, too. I felt that people don't say things in life - they act, they do things. I always wanted my characters doing, rather than saying what they were doing - which was redundant."
"I always wanted to know what lens they were on, how close they were. I didn't do it with a plan in mind, but I would instinctively gear what I was doing toward what lenses they were using."
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