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"I wanted her to know just how much I loved her while also letting her know that she bore not one particle of blame for not loving me back.But I wouldn't say that. It was rosepetals I wanted to throw, not a poison dart."
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"I knew he wouldn't come, but I howled anyway, and when I did, the other wolves would pass images of him to me of what he looked like: lithe, gray, yellow-eyed. I would pass back images of my own, of a wolf on the edge of the woods, silent and cautious, watching me. The images, clear as the slender-leaved trees in front of me, made finding him seem urgent, but I didn't know how to begin to look."

"How can you be happy in this world? You have a hole in your heart. You have a gateway inside you to lands beyond the world you know. They will call you, as you grow. There can never be a time when you forget them, when you are not, in your heart, questing after something you cannot have, something you cannot even properly imagine, the lack of which will spoil your sleep and your day and your life, until you close your eyes for the final time..."

"Looking at the ocean makes me miss people, and hanging out with people makes me miss the ocean."

"[She was] a creature full of eager, passionate longings for all that was beautiful and glad; thirsty for all knowledge; with an ear straining after dreamy music that died away and would not come near to her; with a blind unconscious yearning for something that would link together the wonderful impressions of this mysterious life, and give her soul a sense of home in it."

"Every adult life could be said to be defined by two great love stories. The first - the story of our quest for sexual love - is well known and well charted, its vagaries form the staple of music and literature, it is socially accepted and celebrated. The second - the story of our quest for love from the world - is a more secret and shameful tale. If mentioned, it tends to be in caustic, mocking terms, as something of interest chiefly to envious or deficient souls, or else the drive for status is interpreted in an economic sense alone. And yet this second love story is no less intense than the first, it is no less complicated, important or universal, and its setbacks are no less painful. There is heartbreak here too."

"But those two circles, above all the point at which they touched, are the very thing I am mourning for, homesick for, famished for. You tell me 'she goes on.' But my heart and body are crying out, come back, come back. Be a circle, touching my circle on the plane of Nature. But I know this is impossible. I know that the thing I want is exactly the thing I can never get."
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"Well, I do have some maiden aunts that are not quite like the aunts in the book, but I definitely do have a couple of them, and a couple of old aunties."


"So I'm not a Southern writer in the commonly held sense of the term, like Faulkner or Eudora Welty, who took the South for their entire literary environment and subject matter."


"I'm not sure whay I've been drawn to this subject, except that murder is a subject that has always drawn people for as long as people have been telling stories."


"Children - if you think back really what it was like to be a child and what it was like to know other children - children lie all the time."


"Taking on challenging projects is the way that one grows and extends one's range as a writer, one's technical command, so I consider the time well-spent."


"I just finished writing an essay about William Maxwell, an American writer whose work I admire very much."


"But it's for every writer to decide his own pace, and the pace varies with the writer and the work."
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