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"There are many of these apparent philosophical paradoxes or contradictions which don't concern me anymore."
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Exlpore more Concern quotes
"The smallest pain in our little finger gives us more concern than the destruction of millions of our fellow beings."
"Butch hesitated. "Annabeth's okay. You gotta cut her some slack. She had a vision telling her to come here, to find a guy with one shoe. That was supposed to be the answer to her problem.""What Problem?" Piper asked."She's been looking for one of our campers, who's been missing three days," Butch said. "She's going out of her mind with worry. She hoped he'd be here.""Who?" Jason asked."Her boyfriend," Butch said, "A guy named Percy Jackson."
"The least pain in our little finger gives us more concern and uneasiness than the destruction of millions of our fellow-beings."
"Our concern is to heal. Our concern is to bring together."
"I have no concern for the common man except that he should not be so common."
"Our first concern is the security of the lawyers because without security you can't possibly have a fair trial, if trial at all, and that's not been adequately attended to."
"Unfortunately, the true force which propels our endless political disputes, our constant struggles for political advantage, is often not our burning concern for democracy, it is often of our dedication to the principle of the rule of law."
"My girlfriend is sad and quiet and keeps me up all night worrying about her."
"We are reinventing the world. We've set the ball spinning with little concern for where and how it's going to stop."
Explore more quotes by Evan Parker
"Actually John, Paul Rutherford, and Trevor Watts, and several other rather well known English jazz musicians had got their training by joining the Air Force, which was a pretty standard way for people to get some kind of musical education in those days."
"I've been to the studio several times, and it's not that I'm not happy with what I've got, but each time I come away, I feel that I've learned something that I want to work on."
"I think the whole question of meaning in music is difficult enough even if you hear me playing live right now in the same room! What I mean and what you take from it may be two quite different things anyway."
"So in the sense that we were all dealing with that freer approach, yes, it was certainly one of the first contacts, perhaps the first contact, when Peter came that summer. So it's a very pivotal moment that is documented there."
"Certain kinds of speed, flow, intensity, density of attacks, density of interaction... Music that concentrates on those qualities is, I think, easier achieved by free improvisation between people sharing a common attitude, a common language."
"I think it's a great document of John Stevens' originality. At that time he was already much more fully formed in his conception than I was. I was sort of struggling to keep up, and sometimes it's pretty obvious."
"The argument we always used to use was that keeping records in the catalog was good for people that were coming new to the music, but I think that was talking over a ten year or fifteen year time span."
"If I think about the way I was drawn into the music, it was much more by recordings than by live performances."
"There's an institution here called the National Sound Archive, and there's a character who works there, Paul Wilson. He takes a very special interest in the history of the music and advised Martin Davidson of the existence of these tapes."
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