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"To the extent that '60s guys own things, yes... but I don't have the publishing, just like most '60s guys, and that was an error, you know... part ownership in publishing was the kind of era that started a little bit later, when real businessmen started to manage artists."
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"I think about that "empty" space a lot. That emptiness is what allows for something to actually evolve in a natural way. I've had to learn that over the years - because one of the traps of being an artist is to always want to be creating, always wanting to produce."

"Negroes at last were on Broadway, and there to stay. We were artists and we were going a long way."
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"Geez, I wish I could tell you I had a whole bunch of '80s hair bands, you know something you really wouldn't expect, but I don't know that the music police would be that surprised, because most of the stuff that I am influenced by is in evidence in the music."

"Sometimes you really dig a girl, the moment you kiss her, And then you get distracted by her older sister."

"I'm seeing and hearing lots of B to B instruments, and everybody isn't, you know, using them... a lot of these guys are trying to do it on conventional guitars, although that has its own sound, and maybe its okay."

"When I left the band I said Look, I am ready to move on. I was interested in playing with some of the other people that I had bee a studio musician with."

"I think that my past stands me in good stead in that it does have a certain strength for musicians."

"In other words, musicians know that going back to the Spoonful, what we were doing was not copying."

"I was wildly out of style when that television theme song suddenly pushed its way onto the Top Ten. It was certainly not the record company trying to make that happen."
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