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George Martin

"Well, I think, I certainly used backward music in Sea of Monsters. I can't remember in the Sea of Time. I would tend to do that all the time, you know? I tended to do all sorts of weird things. Just to get effects."

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"Well, I think, I certainly used backward music in Sea of Monsters. I can't remember in the Sea of Time. I would tend to do that all the time, you know? I tended to do all sorts of weird things. Just to get effects."

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Amber Hurdle

"So evidently music was a killer app and is a killer app for computer and the Internet; it just took the tech industry a long time to hear that message."

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Amber Hurdle

"Music is the song of eternal love which touches the soul and fills us with joy."

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Amber Hurdle

"I plan to stay in music. I plan to keep making records."

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Amber Hurdle

"Music is the primordial language of life. That is why we love it so much. Actually every animal can hear and understand music better than we do."

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Amber Hurdle

"Now, it's almost impossible to go out and do a film about a new form of music."

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Amber Hurdle

"Music can touch and heal that secret wound of the soul which nothing else can reach."

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Amber Hurdle

"Music is the language of the soul and the expression of deep inner feelings."

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Amber Hurdle

"If I had the choice, I would sing only love songs."

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Amber Hurdle

"He had a theory that musicians are incredibly complex, and know far less than other artists what they want and what they are; that they puzzle themselves as well as their friends; that their psychology is a modern development, and has not yet been understood."

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Amber Hurdle

"Music is the most beautiful magic which can mesmerize everyone."

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George Martin
"Because when the film was first mooted, the Beatles didn't like the idea at all. In fact they wouldn't have any part in it. And when Brian had committed them, it was part of a deal he did with United Artists, I think."
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"What I was trying to convey there was the kind of waste land that was left after the war. It was a bit like one always thinks of war, you know, stark scenery and no birds, no trees, no leaves, nothing living. And just emptiness."
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"We're lucky, real lucky. Our friends lost their house. We just had some burning embers put holes in the screens."
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"I think that one of the nice things about the Yellow Submarine movie is that it seems to be perennial. People enjoy watching from each generation. And it was like the Beatles themselves. You know the Beatles seem to find new audience each time another generation comes along."
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"When you extend life span, that's really something. That's hard to do."
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"He was definitely a father figure for all of us. Once you were a Giant, you were always a Giant."
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"And the young people in the 1960's identified with it immediately, because, I guess the young people had been having years of repression really. They felt that the, you know, after the war everything was very austere, particularly in Europe."
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George Martin
"Well, again working strictly to the film, where you had this lovely, lovely land of brightness and color. And everybody is smiling and happy and butterflies flitting around and it was that kind of image that, it was like a dream world, really."
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George Martin
"Well, I think, I certainly used backward music in Sea of Monsters. I can't remember in the Sea of Time. I would tend to do that all the time, you know? I tended to do all sorts of weird things. Just to get effects."
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