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Joe Shuster

"I had to produce a complete page - or two or three - in one day. I took a lot of pride in my work, and I hated to do a mediocre job. Evidently, some of the writers enjoyed my work best of all for that very reason."

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"I had to produce a complete page - or two or three - in one day. I took a lot of pride in my work, and I hated to do a mediocre job. Evidently, some of the writers enjoyed my work best of all for that very reason."

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Amber Hurdle

"The job description, like most, used complicated words that made job-hopefuls hesitant to apply because it may be out of their range of capability."

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Amber Hurdle

"We are so used to working that not working is the new hard work."

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Amber Hurdle

"And yet, troublingly, there is one difference between 'labour' and other elements [raw materials, machinery] which conventional economics does not have a means to represent, or give weight to, but which is nevertheless unavoidably present in the world: the fact that labour feels pain."

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Amber Hurdle

"A salary is a tax employers pay, every four weeks, for putting an employee's dream on hold."

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Amber Hurdle

"Work is a vehicle with which man chases some fleeting destination called a full tummy."

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Amber Hurdle

"A specialist's mind is a slave to his specialization."

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Amber Hurdle

"12% of employees eat because they are hungry. 88% of employees eat because it is 1 o'clock."

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Amber Hurdle

"I've always been amused by the contention that brain work is harder than manual labor. I've never known a man to leave a desk for a muck-stick if he could avoid it."

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Amber Hurdle

"Give a typical employee a million, and, he is most likely to use the money to print his CV on fancier paper."

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Amber Hurdle

"A promotion is an illusionary solution out of an indebted employee's pit of debt."

Explore more quotes by Joe Shuster

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Joe Shuster
"I came from Canada when I was about 10 years old, and our family settled in Cleveland, Ohio."
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Joe Shuster
"I did all the work at the beginning up until the point where I couldn't handle the increasingly heavy art production burden alone. I needed, and got, assistance."
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Joe Shuster
"He was mostly leaping tall buildings in the beginning. There were cases where he would leap off a tall building or swoop down, and at that point he would look like he was flying, I suppose. It was just natural to draw him like that."
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Joe Shuster
"I think initially we wanted to use the first letter of the character's name. We thought S was perfect."
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Joe Shuster
"Jerry reversed the usual formula of the superhero who goes to another planet. He put the superhero in ordinary, familiar surroundings, instead of the other way around, as was done in most science fiction. That was the first time I can recall that it had ever been done."
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Joe Shuster
"And I agreed the feeling of action as he was flying or jumping or leaping - a flowing cape would give it movement. It really helped, and it was very easy to draw."
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Joe Shuster
"In the beginning, we had a great deal of freedom, and Jerry wrote completely out of his imagination - very, very freely. We even had no editorial supervision to speak of, because they were in such a rush to get the thing in before deadline. But later on we were restricted."
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Joe Shuster
"Jerry often says that Slam Bradley was really the forerunner of Superman, because we turned it out with no restrictions, complete freedom to do what we wanted; the only problem was that we had a deadline."
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Joe Shuster
"Jerry and I always felt that the character was enjoying himself. He was having fun: he wasn't taking himself seriously. It was always a lark for him, as you can see in my early drawings."
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Joe Shuster
"In this drawing we just let our imagination run wild. We visualized Superman toys, games, and a radio show - that was before TV - and Superman movies. We even visualized Superman billboards. And it's all come true."
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