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Roy Wood

"The best thing I ever heard was in the '60s. I heard Jimi Hendrix play 'I Can Hear The Grass Grow' after a rehearsal, and it was brilliant."

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"The best thing I ever heard was in the '60s. I heard Jimi Hendrix play 'I Can Hear The Grass Grow' after a rehearsal, and it was brilliant."

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Amber Hurdle

"I can play every instrument there is, every horn, I've played all the saxes and trumpets and everything and keyboards."

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Amber Hurdle

"I would like to play with electronic keyboards again."

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Amber Hurdle

"I don't think they're going to pay me to play Mufasa."

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Amber Hurdle

"We were gradually playing larger venues and in the early days PA systems were kind of non-existent. So to play loud, we had to use louder equipment. The PA systems back then didn't mic the instruments - only the vocals."

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Amber Hurdle

"The stars handle it very graciously. They let you know. They know how to play the game."

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Amber Hurdle

"Frank's bands could play the hardest stuff and make it seem like no big deal."

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Amber Hurdle

"You can't break the rules until you know how to play the game."

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Amber Hurdle

"I never practice; I always play."

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Amber Hurdle

"So, to come In with a set routine it's something I've never believed in. It should depend on how you feel, because you play what you feel."

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Amber Hurdle

"Sometimes it is easier to play someone who is far away from you."

Explore more quotes by Roy Wood

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Roy Wood
"Of course, the wind sort of swept up and the music was flying around in mid air and they were trying to play off it. You had to be there. It was quite funny."
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Roy Wood
"Even though we didn't actually record it as the Move I had already written a song called 'Dear Elaine,' which I subsequently put on the Boulders album. I thought at the time that was probably the best song I'd written."
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Roy Wood
"The first people I ever saw were probably Little Richard and Gene Vincent."
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Roy Wood
"To me, 'Blackberry Way' stands up as a song that could be sung in any era, really. We do it with the new doing all sort of fanfare things in it and it works really well. It goes down great with audiences."
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Roy Wood
"I think we were probably playing live for about 12 months before we got a recording deal."
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Roy Wood
"Unfortunately, most of the songs that I write I don't write them with guitar in mind. I just write it as a song and that was probably one of the ones that left an opening for it. The song's all right, I wouldn't choose to sing it now."
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Roy Wood
"We should have gone over years before that. I always wanted to and I think most of the band did."
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Roy Wood
"I named it that because more or less each person from the band used to play in other bands and when we left respective bands other members from those bands all sort of changed round. It was a big sort of move thing. I got it from that, I suppose."
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Roy Wood
"I've always been a bit of a Jekyll and Hyde. I always feel that you should keep singles as commercial as possible so that the people can walk down the road and whistle a song. But on the other hand on albums I think you can afford to show people what you can do."
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Roy Wood
"We happened to be in the studio next door and I think Noel Redding came around and said, 'Do you fancy having a sing on this?' We just went and did it and it was great."
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