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Roy Wood

"The best thing I ever heard was in the '60s. I heard Jimi Hendrix play 'I Can Hear The Grass Grow' after a rehearsal, and it was brilliant."

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"The best thing I ever heard was in the '60s. I heard Jimi Hendrix play 'I Can Hear The Grass Grow' after a rehearsal, and it was brilliant."

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Amber Hurdle

"I taught myself to play the piano, because I wanted to play it."

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Amber Hurdle

"Shakespeare doesn't really write subtext, you play the subtext."

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Amber Hurdle

"When I started out, all I did was play my trombone."

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Amber Hurdle

"If you're a pop singer, you don't need to evolve. You just get a set together, have some hit songs and play them over and over."

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Amber Hurdle

"So we are pretty convinced we don't want to play huge stadiums unless we can play them well."

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Amber Hurdle

"I didn't have anyone to play with so I made up my own world."

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Amber Hurdle

"Yes, Pluton, actually, in the play. And I play him in my most stentorian voice."

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Amber Hurdle

"I was only in one play at Steppenwolf, in the early days."

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Amber Hurdle

"Maybe you're better to play a villain just straight out."

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Amber Hurdle

"I feel like I've been way overexposed in the press. I'd rather play shows and represent myself in person."

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Roy Wood
"Unfortunately, most of the songs that I write I don't write them with guitar in mind. I just write it as a song and that was probably one of the ones that left an opening for it. The song's all right, I wouldn't choose to sing it now."
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Roy Wood
"To me, 'Blackberry Way' stands up as a song that could be sung in any era, really. We do it with the new doing all sort of fanfare things in it and it works really well. It goes down great with audiences."
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Roy Wood
"I've always been that way. I'm not very good at reading music but I'm pretty quick at picking things up."
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Roy Wood
"The first people I ever saw were probably Little Richard and Gene Vincent."
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Roy Wood
"I've always been a bit of a Jekyll and Hyde. I always feel that you should keep singles as commercial as possible so that the people can walk down the road and whistle a song. But on the other hand on albums I think you can afford to show people what you can do."
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Roy Wood
"Of course, the wind sort of swept up and the music was flying around in mid air and they were trying to play off it. You had to be there. It was quite funny."
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Roy Wood
"I named it that because more or less each person from the band used to play in other bands and when we left respective bands other members from those bands all sort of changed round. It was a big sort of move thing. I got it from that, I suppose."
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Roy Wood
"I think we were probably playing live for about 12 months before we got a recording deal."
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Roy Wood
"When we were first started we were doing a lot of Motown stuff, but actually playing it more in a rock way. Everybody in the band sang and we did a lot of harmonies."
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Roy Wood
"When we did a lot of that Motown stuff there were four of us on the front line. When we started the evening we'd start from one end of the band and just go along. The lead singer would change all the time. That's the first time that I actually managed to put it into a record."
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