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Anais Nin

"With her eyes alone she could give this response, this absolutely erotic response, as if febrile waves were trembling there, pools of madness... something devouring that could lick a man all over like a flame, annihilate him, with a pleasure never known before."

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"With her eyes alone she could give this response, this absolutely erotic response, as if febrile waves were trembling there, pools of madness... something devouring that could lick a man all over like a flame, annihilate him, with a pleasure never known before."

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Amber Hurdle

"The thing that teases the mind over and over for years, and at last gets itself put down rightly on paper whether little or great, it belongs to Literature."

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Amber Hurdle

"Not that length and weight alone indicate excellence, many epic tales are pretty much epic crap."

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Amber Hurdle

"Tolkien did admit that, 'As a guide, I had only my own feelings for what is appealing or moving.' In other words ~ he wrote about what interested him ~ and despite his protestation of including anything allegorical into his tale, Catholic history and mystic prophecy obviously received its fair share of attention ..."

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Amber Hurdle

"In describing a fairy story which they think adults might possibly read for their own entertainment, reviewers frequently indulge in such waggeries as: 'this book is for children from the ages of six to sixty'. But I have never yet seen the puff of a new motor-model that begun thus: 'this toy will amuse infants from seventeen to seventy'; though that to my mind would be much more appropriate."

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Amber Hurdle

"The reader is probably wondering that if Tolkien did indeed fashion two of his heroic characters from Catholic prophecies, what about the evil protagonists? Were any of them inspired by these little-known revelations concerning future times? The answer is yes, but to discover the links between the myth and the prophecies, we must venture not only into the realm of unnerving revelations, but also into the murky world of secret sects, dark plots, occult signs, bloody revolutions and conspiracy theories ~ we must probe deep into the burning Eye of Sauron."

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Amber Hurdle

"Poor, harmless paper, that might have gone to print a Shakespeare on, and was instead so clumsily defaced with nonsense."

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Amber Hurdle

"I crossed the yard, wherein the constellations looked down upon me, I could have thought, with wonder, the first creature of that sort that their unsleeping vigilance had yet disclosed to them; I stole through the corridors, a stranger in my own house; and coming to my room, I saw for the first time the appearance of Edward Hyde."

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Amber Hurdle

"She found as always that words on paper proved themselves, they were so beautifully true."

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Amber Hurdle

"The writer studies literature, not the world. He is careful of what he reads, for that is what he will write."

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Amber Hurdle

"A book is made from a tree. It is an assemblage of flat, flexible parts (still called "leaves") imprinted with dark pigmented squiggles. One glance at it and you hear the voice of another person, perhaps someone dead for thousands of years. Across the millennia, the author is speaking, clearly and silently, inside your head, directly to you. Writing is perhaps the greatest of human inventions, binding together people, citizens of distant epochs, who never knew one another. Books break the shackles of time - proof that humans can work magic."

Explore more quotes by Anais Nin

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Anais Nin
"We write to lure and enchant and console others. We write to serenade our lovers. We write to taste life twice, in the moment, and in retrospection... We write to be able to transcend our life, to reach beyond it... We write to expand our world when we feel strangled, or constricted, or lonely."
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Anais Nin
"And the time came when the risk to remain tight in a bud was more painful than the risk it took to blossom."
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Anais Nin
"In our twenties we have conflicts. We think everything is either-or, black or white: we are caught between them and we lose all our energy in the conflicts. My answer, later on in maturity, was to do them all. Not to exclude any, not to make a choice. I wanted to be everything. And I took everything in, and the more you take in, the more strength you find waiting to accomplish things and to expand your life, instead of the other (which is what we have been taught to do) which is to look for structure and to fear change, above all to fear change. Now I didn't fear change."
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Anais Nin
"Each friend represents a world in us, a world not born until they arrive, and it is only by this meeting that a new world is born."
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Anais Nin
"Then at certain moments I remember one of his words and I suddenly feel the sensual woman flaring up, as if violently caressed. I say the word to myself, with joy. It is at such a moment that my true body lives."
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Anais Nin
"I must be a mermaid, Rango. I have no fear of depths and a great fear of shallow living."
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Anais Nin
"The magic beauty of simultaneity, to see the loved one rushing toward you at the same moment you are rushing toward him, the magic power of meeting, exactly at midnight to achieve union, the illusion of one common rhythm achieved by overcoming obstacles, deserting friends, breaking other bonds - all this was soon dissolved by his laziness, by his habit of missing every moment, of never keeping his word, of living perversely in a state of chaos, of swimming more naturally in a sea of failed intentions, broken promises, and aborted wishes."
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Anais Nin
"It's all right for a woman to be, above all, human. I am a woman first of all."
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Anais Nin
"Truth is something which can't be told in a few words. Those who simplify the universe only reduce the expansion of its meaning."
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Anais Nin
"What can I say Rango? What can I do to prove to you that I belong to you?"
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