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"Give the people contests they win by remembering the words to more popular songs or the names of state capitals or how much corn Iowa grew last year. Cram them full of noncombustible data, chock them so damned full of 'facts' they feel stuffed, but absolutely 'brilliant' with information. Then they'll feel they're thinking, they'll get a sense of motion without moving. And they'll be happy, because facts of that sort don't change. Don't give them any slippery stuff like philosophy or sociology to tie things up with. That way lies melancholy."
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"For a clever man, different cultures, different lives, different attitudes, different dreams, different of everything are a good teacher! You only take the things you already know from somebody or something like you!"

"Menfolks listens to somebody because of what he says. Women don't. They don't care what he said. They listens because of what he is."

"The Frenchman works until he can play. The American works until he can't play; and then thanks the devil, his master, that he is donkey enough to die in harness. But the Englishman, as he has since become, works until he can pretend that he never worked at all."

"Only Southerners have taken horsewhips and pistols to editors about the treatment or maltreatment of their manuscript. This--the actual pistols--was in the old days, of course, we no longer succumb to the impulse. But it is still there, within us."

"Culture makes lies plausible through exposure to time. It makes prejudice seem like physics intergenerationally. It is therefore the most dangerous opponent of philosophy, because it feels the most credible to the average person."

"The gypsies believe the bear to be a brother to man because he has the same body beneath his hide, because he drinks beer, because he enjoys music and because he likes to dance."
Explore more quotes by Ray Bradbury

"Don't think. Thinking is the enemy of creativity. It's self-conscious, and anything self-conscious is lousy. You can't try to do things. You simply must do things."

"They began by controlling books of cartoons and then detective books and, of course, films, one way or another, one group or another, political bias, religious prejudice, union pressure; there was always a minority afraid of something, and a great majority afraid of the dark, afraid of the future, afraid of the past, afraid of the present, afraid of themselves and shadows of themselves."

"My stories run up and bite me on the leg - I respond by writing down everything that goes on during the bite. When I finish, the idea lets go and runs off."

"We've gotta become the Martians. I'm a Martian - I tell you to become Martians. And we've gotta go to Mars and civilize Mars and build a whole civilization on Mars and then move out, 300 years from now into the universe. And when we do that, we have a chance of living forever."

"Every story I've written was written because I had to write it. Writing stories is like breathing for me, it is my life."

"I'm being ironic. Don't interrupt a man in the midst of being ironic, it's not polite. There!"

"She didn't watch the dead, ancient bone-chess cities slide under, or the old canals filled with emptiness and dreams. Past dry rivers and dry lakes they flew, like a shadow of the moon, like a torch burning."

"I thought you could beat, pummel, and thrash an idea into existence. Under such treatment, of course, any decent idea folds up its paws, turns on its back, fixes its eyes on eternity, and dies."

"Bet I know something else you don't. There's dew on the grass in the morning.'He suddenly couldn't remember if he had known this or not, and it made him quite irritable. 'And if you look'-she nodded at the sky-'there's a man on the moon.'He hadn't looked for a long time."
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