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Ray Bradbury

"Give the people contests they win by remembering the words to more popular songs or the names of state capitals or how much corn Iowa grew last year. Cram them full of noncombustible data, chock them so damned full of 'facts' they feel stuffed, but absolutely 'brilliant' with information. Then they'll feel they're thinking, they'll get a sense of motion without moving. And they'll be happy, because facts of that sort don't change. Don't give them any slippery stuff like philosophy or sociology to tie things up with. That way lies melancholy."

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"Give the people contests they win by remembering the words to more popular songs or the names of state capitals or how much corn Iowa grew last year. Cram them full of noncombustible data, chock them so damned full of 'facts' they feel stuffed, but absolutely 'brilliant' with information. Then they'll feel they're thinking, they'll get a sense of motion without moving. And they'll be happy, because facts of that sort don't change. Don't give them any slippery stuff like philosophy or sociology to tie things up with. That way lies melancholy."

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Amber Hurdle

"On this matter I'm inclined to agree with the French, who gaze upon any personal dietary prohibition as bad manners."

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Amber Hurdle

"There is no society that does not highly value fictional storytelling. Ever."

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Amber Hurdle

"Why are we so afraid of silence? Teenagers cannot study without their records; they walk along the street with their transistors. Grownups are as bad if not worse; we turn on the TV or the radio the minute we come into the house or start the car. The pollution of noise in our cities is as destructive as the pollution of air. We show our fear of silence in our conversation: I wonder if the orally-minded Elizabethan's used "um" and "er" the way we do? And increasingly prevalent is what my husband calls an articulated pause: "You know." We interject "you know" meaninglessly into every sentence, in order that the flow of our speech should not be interrupted by such a terrifying thing as silence."

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Amber Hurdle

"The pure modernist is merely a snob, he cannot bear to be a month behind the fashion."

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Amber Hurdle

"Of the big horror movies of the '70s, you have 'The Omen,' 'The Sentinel,' 'Rosemary's Baby,' 'The Stepford Wives,' 'Burnt Offerings' - these are all romantic fatalist movies where there's a sort of glimmer of hope... but darkness wins."

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Amber Hurdle

"Without the library, you have no civilization."

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Amber Hurdle

"Reticence was clearly a national characteristic, even if the other person spoke French."

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Amber Hurdle

"My mom loved rock n' roll. My father hated it. We couldn't play it when he was around. He liked classical music and Duke Ellington."

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Amber Hurdle

"Rationally, factory farming is so obviously wrong, in so many ways. In all of my reading and conversations, I've yet to find a credible defense of it. But food is not rational. Food is culture, habit, and identity."

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Amber Hurdle

"Without literature, life is hell."

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Ray Bradbury
"But souls can't be sold. They can only be lost and never found again."
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Ray Bradbury
"Quantity produces quality. If you only write a few things, you're doomed."
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Ray Bradbury
"Cram them full of non-combustible data, chock them so damned full of 'facts' they feel stuffed, but absolutely 'brilliant' with information. Then they'll feel they're thinking, they'll get a sense of motion without moving. And they'll be happy, because facts of that sort don't change. Don't give them any slippery stuff like philosophy or sociology to tie things up with. That way lies melancholy."
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Ray Bradbury
"How men envy and often hate these warm clocks, these wives, who know they will live forever. So what do we do? We men turn terribly mean, because we can't hold to the world or ourselves or anything. We are blind to continuity, all breaks down, falls, melts, stops, rots, or runs away. So, since we cannot shape Time, where does that leave men? Sleepless. Staring."
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Ray Bradbury
"Without the library, you have no civilization."
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Ray Bradbury
"He glanced back at the wall. How like a mirror, too, her face. Impossible; for how many people did you know who reflected your own light to you? People were more often--he searched for a simile, found one in his work--torches, blazing away until they whiffed out. How rarely did other people's faces take of you and throw back to you your own expression, your own innermost trembling thought?"
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Ray Bradbury
"Fiction gives us empathy: It puts us inside the minds of other people, gives us the gift of seeing through their eyes. Fiction is a lie that tells us true things, over and over."
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Ray Bradbury
"I'm numb and I'm tired. Too much has happened today. I feel as if I'd been out in a pounding rain for forty-eight hours without an umbrella or a coat. I'm soaked to the skin with emotion."
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Ray Bradbury
"Remember: Plot is no more than footprints left in the snow after your characters have run by on their way to incredible destinations. Plot is observed after the fact rather than before. It cannot precede action. It is the chart that remains when an actionis through. That is all Plot ever should be. It is human desire letrun, running, and reaching a goal. It cannot be mechanical. It canonly be dynamic. So, stand aside, forget targets, let the characters, your fingers, body, blood, and heart do."
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Ray Bradbury
"The best scientist is open to experience and begins with romance - the idea that anything is possible."
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