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"My identity has everything to do with me and my instrument. It doesn't have to do with what production style I use, or how many people played on it, whether it's sparse or grandiose or whatever. And I'm social, frankly."
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"The last resort of kings, the cannonball. The last resort of the people, the paving stone."

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"There are bad people who would be less dangerous if they were quite devoid of goodness."

"Whatever good things people say of us, they tell us nothing new."

"There are only two kinds of people who are really fascinating - people who know absolutely everything, and people who know absolutely nothing."

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Explore more quotes by Liz Phair

"I knew that collaborating on songwriting would be difficult for a lot of people, because I was known very much, for my independence and the fact that I wrote these quirky songs that were not typical structure, not typical sound - you know, really original stuff."

"I mean, I kind of remember... I'm 36 now, so it's kind of hard for me to relate to what it was like when I was 25, or 24, but I do remember a period in time when that's how I defined who I was, by the music I listened to and the movies I went to."

"I think good art happens on that edge between comfortable and in a lot of pain, you know what I mean?"

"I'm competitive, so I don't like to feel marginalized by the people who sell a lot of records."

"My identity has everything to do with me and my instrument. It doesn't have to do with what production style I use, or how many people played on it, whether it's sparse or grandiose or whatever. And I'm social, frankly."

"That's what music is to me. Like, stuff that I really like to play loud. And I've got my quiet CDs, too, that I listen to around the house, but if you can't go there, then... Everyone gets so upset with me, I can't win."

"You're really creative when you're in an environment that you don't know how to handle. So collaborating was like that for me. I think that was one of the reasons why I knew I was gonna get a challenging reaction."
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