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Hilary Mantel

"He draws a line under his conclusions. Says, 'Gregory, what should I do about the great worm?' 'Send a commission against it, sir,' the boy says. 'It must be put down.' He gives his son a long look. 'You do know it's Arthur Cobbler's tales?' Gregory gives him a long look back. 'Yes, I do know.' He sounds regretful. 'But it makes people so happy when I believe them."

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"He draws a line under his conclusions. Says, 'Gregory, what should I do about the great worm?' 'Send a commission against it, sir,' the boy says. 'It must be put down.' He gives his son a long look. 'You do know it's Arthur Cobbler's tales?' Gregory gives him a long look back. 'Yes, I do know.' He sounds regretful. 'But it makes people so happy when I believe them."

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"But then again, if you don't imagine, nothing ever happens at all. Imagining isn't perfect. You can't get all the way inside someone else. I could never have imagined Margo's anger at being found, or the story she was writing over. But imagining being someone else, or the world being something else, is the only way in."

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Hilary Mantel
"There's a feeling of power in reserve, a power that drives right through the bone, like the shiver you sense in the shaft of an axe when you take it into your hand. You can strike, or you can not strike, and if you choose to hold back the blow, you can still feel inside you the resonance of the omitted thing."
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Hilary Mantel
"Do you look like the photograph on your book jackets? Authors, I find, seldom do."
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Hilary Mantel
"No man as godly as George, the only fault he finds with God is that he made folk with too few orifices. If George could meet a woman with a quinny under her armpit, he would call out 'Glory be' and set her up in a house and visit her every day, until the novelty wore off. Nothing is forbidden to George, you see. He'd go to it with a terrier bitch if she wagged her tail at him and said bow-wow.'For once he is struck silent. He knows he will never get it out of his mind, the picture of George in a hairy grapple with a little ratting dog."
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Hilary Mantel
"This is what death does to you, it takes and takes, so that all that is left of your memories is a faint tracing of spilled ash."
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Hilary Mantel
"If you help load a cart you get a ride in it, as often as not. It gives him to think, how bad people are at loading carts. Men trying to walk straight ahead through a narrow gateway with a wide wooden chest. A simple rotation of the object solves a great many problems."
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Hilary Mantel
"The trouble with England, he thinks, is that it's so poor in gesture. We shall have to develop a hand signal for 'Back off, our prince is fucking this man's daughter.' He is surprised that the Italians have not done it. Though perhaps they have, and he just never caught on."
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Hilary Mantel
"He is not a man wedded to action, Boleyn, but rather a man who stands by, smirking and stroking his beard; he thinks he looks enigmatic, but instead he looks as if he's pleasuring himself."
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Hilary Mantel
"The maid found a handkerchief of hers, under the bed in which she had died. A ring that had been missing turned up in his own writing desk. A tradesman arrived with fabric she had ordered three weeks ago. Each day, some further evidence of a task half finished, a scheme incomplete. He found a novel, with her place marked.And this is it."
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Hilary Mantel
"In the forest you may find yourself lost, without companions. You may come to a river which is not on a map. You may lose sight of your quarry, and forget why you are there. You may meet a dwarf, or the living Christ, or an old enemy of yours; or a new enemy, one you do not know until you see his face appear between the rustling leaves, and see the glint of his dagger. You may find a woman asleep in a bower of leaves. For a moment, before you don't recognise her, you will think she is someone you know."
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"For I chase but one hind, he says, one strange deer timid and wild, and she leads me off the paths that other men have trod, and by myself into the depths of the wood."
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