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"He draws a line under his conclusions. Says, 'Gregory, what should I do about the great worm?' 'Send a commission against it, sir,' the boy says. 'It must be put down.' He gives his son a long look. 'You do know it's Arthur Cobbler's tales?' Gregory gives him a long look back. 'Yes, I do know.' He sounds regretful. 'But it makes people so happy when I believe them."
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"What the future held for spirit, Emily could only imagine."

"Do you know what the best and worst thing about a book is? The author can't answer all your questions, only your imagination can."

"When you are very rational, you may not be able to dream or live in a fairy tale."

"O, then I see Queen Mab hath been with you. . . .She is the fairies' midwife, and she comesIn shape no bigger than an agate stoneOn the forefinger of an alderman,Drawn with a team of little atomiAthwart men's noses as they lie asleep."

"The words we construct, the poems we write and the songs we sing, become the love story of a stranger we have never seen."

"Music enables mind to compose things in the outer limit of logic."

"When the imagination takes over, the second hand could be the hour hand to a creator of stories."

"With astonishing wonder, I have seen the magic of life, the power of thoughts, and the beauty of imagination."

"Too many questions can cripple imagination, for how can you apply logical questions to something that is not real?"

"We are blessed with a finite life, but our imaginations are infinite."
Explore more quotes by Hilary Mantel


"There's a feeling of power in reserve, a power that drives right through the bone, like the shiver you sense in the shaft of an axe when you take it into your hand. You can strike, or you can not strike, and if you choose to hold back the blow, you can still feel inside you the resonance of the omitted thing."


"He saw that it was the gaps that were important, the spaces between the threads which made the pattern, and not the threads themselves."


"Fiction leaves us so much work to do, allows the individual so much input; you have to see, you have to hear, you have to taste the madeleine, and while you are seemingly passive in your chair, you have to travel."


"Some readers read a book as if it were an instruction manual, expecting to understand everything first time, but of course when you write, you put into every sentence an overflow of meaning, and you create in every sentence as many resonances and double meanings and ambiguities as you can possibly pack in there, so that people can read it again and get something new each time."


"No man as godly as George, the only fault he finds with God is that he made folk with too few orifices. If George could meet a woman with a quinny under her armpit, he would call out 'Glory be' and set her up in a house and visit her every day, until the novelty wore off. Nothing is forbidden to George, you see. He'd go to it with a terrier bitch if she wagged her tail at him and said bow-wow.'For once he is struck silent. He knows he will never get it out of his mind, the picture of George in a hairy grapple with a little ratting dog."


"The prose, Robespierre said. "It's so clean, no conceits, no show, no wit. He means every word. Formerly, you see, he meant every other word. That was his style."


"He runs his eye along the row of knives in their racks, the cleavers for splitting bones. He picks one up, looks at its edge, decides it needs sharpening and says, "Do you think I look like a murderer? In your good opinion?"A silence. After a while, Thurston proffers, "At this moment, master, I would have to say..."


"He knows different now. It's the living that chase the dead. The long bones and skulls are tumbled from their shrouds, and words like stones thrust into their rattling mouths: we edit their writings, we rewrite their lives. Thomas More had spread the rumor that Little Bilney, chained to the stake, had recanted as the fire was set. It wasn't enough for him to take Bilney's life away; he had to take his death too."
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