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Hilary Mantel

"He draws a line under his conclusions. Says, 'Gregory, what should I do about the great worm?' 'Send a commission against it, sir,' the boy says. 'It must be put down.' He gives his son a long look. 'You do know it's Arthur Cobbler's tales?' Gregory gives him a long look back. 'Yes, I do know.' He sounds regretful. 'But it makes people so happy when I believe them."

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"He draws a line under his conclusions. Says, 'Gregory, what should I do about the great worm?' 'Send a commission against it, sir,' the boy says. 'It must be put down.' He gives his son a long look. 'You do know it's Arthur Cobbler's tales?' Gregory gives him a long look back. 'Yes, I do know.' He sounds regretful. 'But it makes people so happy when I believe them."

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Hilary Mantel
"There's a feeling of power in reserve, a power that drives right through the bone, like the shiver you sense in the shaft of an axe when you take it into your hand. You can strike, or you can not strike, and if you choose to hold back the blow, you can still feel inside you the resonance of the omitted thing."
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Hilary Mantel
"Feminism hasn't failed, it's just never been tried."
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"He saw that it was the gaps that were important, the spaces between the threads which made the pattern, and not the threads themselves."
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Hilary Mantel
"Do you look like the photograph on your book jackets? Authors, I find, seldom do."
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Hilary Mantel
"Fiction leaves us so much work to do, allows the individual so much input; you have to see, you have to hear, you have to taste the madeleine, and while you are seemingly passive in your chair, you have to travel."
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Hilary Mantel
"Some readers read a book as if it were an instruction manual, expecting to understand everything first time, but of course when you write, you put into every sentence an overflow of meaning, and you create in every sentence as many resonances and double meanings and ambiguities as you can possibly pack in there, so that people can read it again and get something new each time."
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Hilary Mantel
"No man as godly as George, the only fault he finds with God is that he made folk with too few orifices. If George could meet a woman with a quinny under her armpit, he would call out 'Glory be' and set her up in a house and visit her every day, until the novelty wore off. Nothing is forbidden to George, you see. He'd go to it with a terrier bitch if she wagged her tail at him and said bow-wow.'For once he is struck silent. He knows he will never get it out of his mind, the picture of George in a hairy grapple with a little ratting dog."
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Hilary Mantel
"The prose, Robespierre said. "It's so clean, no conceits, no show, no wit. He means every word. Formerly, you see, he meant every other word. That was his style."
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Hilary Mantel
"He runs his eye along the row of knives in their racks, the cleavers for splitting bones. He picks one up, looks at its edge, decides it needs sharpening and says, "Do you think I look like a murderer? In your good opinion?"A silence. After a while, Thurston proffers, "At this moment, master, I would have to say..."
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Hilary Mantel
"He knows different now. It's the living that chase the dead. The long bones and skulls are tumbled from their shrouds, and words like stones thrust into their rattling mouths: we edit their writings, we rewrite their lives. Thomas More had spread the rumor that Little Bilney, chained to the stake, had recanted as the fire was set. It wasn't enough for him to take Bilney's life away; he had to take his death too."
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