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Sergei Eisenstein

"For example, in painting the form arises from abstract elements of line and color, while in cinema the material concreteness of the image within the frame presents - as an element - the greatest difficulty in manipulation."

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"For example, in painting the form arises from abstract elements of line and color, while in cinema the material concreteness of the image within the frame presents - as an element - the greatest difficulty in manipulation."

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Donna Grant

"I think the cinema you like has more to do with silence, and the theater you like has more to do with language."

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"A movie is not a movie, it is a potential nuclear furnace of inspiration, courage and conscience."

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"In cinema, the leading player is the director."

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"Cinema should make you forget you are sitting in a theater."

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"The theatre fulfills, whereas the cinema is empty."

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Donna Grant

"The term 'giant' is used too often to describe artists. But in the case of Akira Kurosawa, we have one of the rare instances where the term fits."

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Donna Grant

"I was utilized because I have a certain face that works well in cinema, and I'm used to making myself look as good as possible."

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Donna Grant

"Doing cinema is not about watching yourself."

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Donna Grant

"I'd wanted to be a writer and when I came back to New York worked as a musician too, but I found my writing starting to get more and more referential to cinema."

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Donna Grant

"Normally I make myself swim, do exercises. For zest I like going to the cinema."

Explore more quotes by Sergei Eisenstein

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Sergei Eisenstein
"The profession of film director can and should be such a high and precious one; that no man aspiring to it can disregard any knowledge that will make him a better film director or human being."
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Sergei Eisenstein
"Language is much closer to film than painting is."
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Sergei Eisenstein
"For example, in painting the form arises from abstract elements of line and color, while in cinema the material concreteness of the image within the frame presents - as an element - the greatest difficulty in manipulation."
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Sergei Eisenstein
"Now why should the cinema follow the forms of theater and painting rather than the methodology of language, which allows wholly new concepts of ideas to arise from the combination of two concrete denotations of two concrete objects?"
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Sergei Eisenstein
"Even in a less exaggerated description, any verbal account of a person is bound to find itself employing an assortment of waterfalls, lightning rods, landscapes, birds, etc."
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