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John Dykstra

"Once the image was in the digital environment, one of the problems was, we had no means to reproduce the color spectrum, grey scale, and contrast that film produces, without converting the digital file to film, evaluating it, then going back and changing the digital image."

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"Once the image was in the digital environment, one of the problems was, we had no means to reproduce the color spectrum, grey scale, and contrast that film produces, without converting the digital file to film, evaluating it, then going back and changing the digital image."

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"Thunderstorms and rainbows wrapped together in a convenient pocket-sized parcel."

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"To wish for the happiest days is to wish for a season of sorrow; for it is only after prolonged, wintry darkness that the summer sun appears to shine at its brightest."

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"The power of fiction is a great thing. But, after all, reality is just a little more important."

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"Light travels half away around the world while darkness is still putting its shoes on."

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"Yes, happiness is dependent upon misery. For we all feel a swell of happiness after our circumstances improve from a misery recently suffered."

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"Somehow creationists keep us naturalists in track to some extent. They are the representation of human stupidity at its extreme. And we need some stupidity in the society for true intellect to be adored."

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"The sharp thorn often produces delicate roses."

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"Evil exists in this world because it has its place. For had you never sat blindly through the darkness of night, your eyes wouldn't turn toward the sunrise to appreciate its warmth and illumination."

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"The weaknesses of the wise are better than the strengths of fools."

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"If all we had were roses, would the thorns then be beautiful?"

Explore more quotes by John Dykstra

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John Dykstra
"It's very much like filmmaking always is-you're always asked to do something that you're not sure you know how to do. So you make an educated guess as to what you think will work and you hope between that and plan B, that you can end up with a product that's really good."
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John Dykstra
"In the first Spider-Man, at the end of the movie, Peter Parker had to deny himself a relationship with a girl that he's in love with. The very next thing that happens is that he's swinging through the city."
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John Dykstra
"I had done a lot of rock 'n' roll photography when I was in college. I was one of many photographers who worked for The Doors, Jefferson Airplane, and all of these rock 'n' roll bands."
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John Dykstra
"Film, as far as I'm concerned, is my area of artistic endeavor, so I never think of a movie that gets released as being all done-it's just when they took it away from you."
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John Dykstra
"Digital imaging has untied our hands with regards to technical limitations. We no longer have to be arbiters of technology; we get to participate in the interpretation of technology into creative content."
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John Dykstra
"It's an embarrassment of riches because you have directors who don't better. You end up with so much stuff going on the screen that you don't know where to look, and that's what I consider self-indulgent."
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John Dykstra
"Because I come from that old-school optics environment, I know stuff about depth of field and camera movement and things that are not necessarily a part of the curriculum for people who started on a box and have never done anything that wasn't on a box."
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John Dykstra
"We stayed there 24 hours a day. We lived and ate and slept that movie. We were enthusiastic, not just because of the movie, but because we had such a great collaborative team. We had a really good time. It was very much a family."
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John Dykstra
"I was involved in the color correction and the digital color correction. In an odd way, you end up making a film many times-the DVD, the archival record of a high-definition master, and so on."
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John Dykstra
"As with sound, images are subjective. You and I may not see the same color red as red, but we will probably agree that the image on the screen is a digital image or film image, based on contrast, bit depth, and refresh rate."
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