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John Dykstra

"Once the image was in the digital environment, one of the problems was, we had no means to reproduce the color spectrum, grey scale, and contrast that film produces, without converting the digital file to film, evaluating it, then going back and changing the digital image."

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"Once the image was in the digital environment, one of the problems was, we had no means to reproduce the color spectrum, grey scale, and contrast that film produces, without converting the digital file to film, evaluating it, then going back and changing the digital image."

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Amber Hurdle

"The sharp thorn often produces delicate roses."

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Amber Hurdle

"I know that when I make a record like The Delivery Man as a contrast to even Il Sogno, this is going to reach a wider audience, because it communicates in that very direct way."

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Amber Hurdle

"As with sound, images are subjective. You and I may not see the same color red as red, but we will probably agree that the image on the screen is a digital image or film image, based on contrast, bit depth, and refresh rate."

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Amber Hurdle

"The beautiful has but one type, the ugly has a thousand."

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Amber Hurdle

"In contrast to what most prosecutors do, we try to treat all individuals with complete fairness. We do not go out and hold press conferences and the like."

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Amber Hurdle

"If tragedy never entered our lives, we wouldn't appreciate the magic."

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Amber Hurdle

"Light travels half away around the world while darkness is still putting its shoes on."

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Amber Hurdle

"Evil exists in this world because it has its place. For had you never sat blindly through the darkness of night, your eyes wouldn't turn toward the sunrise to appreciate its warmth and illumination."

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Amber Hurdle

"Somehow creationists keep us naturalists in track to some extent. They are the representation of human stupidity at its extreme. And we need some stupidity in the society for true intellect to be adored."

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Amber Hurdle

"The beauty of shadow comes from the beauty of light!"

Explore more quotes by John Dykstra

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John Dykstra
"I was involved in the color correction and the digital color correction. In an odd way, you end up making a film many times-the DVD, the archival record of a high-definition master, and so on."
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John Dykstra
"George Lucas wanted this moving camera for all of the photography in Star Wars. He was willing to take a risk with the concepts that I advanced with regard to ways for doing that."
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John Dykstra
"I had done a lot of rock 'n' roll photography when I was in college. I was one of many photographers who worked for The Doors, Jefferson Airplane, and all of these rock 'n' roll bands."
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John Dykstra
"Digital imaging has untied our hands with regards to technical limitations. We no longer have to be arbiters of technology; we get to participate in the interpretation of technology into creative content."
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John Dykstra
"We stayed there 24 hours a day. We lived and ate and slept that movie. We were enthusiastic, not just because of the movie, but because we had such a great collaborative team. We had a really good time. It was very much a family."
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John Dykstra
"I like engineering, but I love the creative input."
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John Dykstra
"As with sound, images are subjective. You and I may not see the same color red as red, but we will probably agree that the image on the screen is a digital image or film image, based on contrast, bit depth, and refresh rate."
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John Dykstra
"Film, as far as I'm concerned, is my area of artistic endeavor, so I never think of a movie that gets released as being all done-it's just when they took it away from you."
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John Dykstra
"You had to make a camera look like it's traveling at 300 mph, but you couldn't make it actually travel at 300 mph so you had to slow everything down and build devices to do that. So you were constantly engineering."
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John Dykstra
"In the first Spider-Man, at the end of the movie, Peter Parker had to deny himself a relationship with a girl that he's in love with. The very next thing that happens is that he's swinging through the city."
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