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"As a necessary prerequisite to the creation of new forms of expression one might, I suppose, argue that current sensibilities respond uniquely to the notion of exhaustion as exhaustion, although that does de facto seem rather limiting."
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"There is nothing glorious about creating life out of passionate penetration. Even the animals can do that. The real glory comes when the life you create becomes the help in the lives of countless other humans."

"We create things to watch them grow, Ruin, she said. To take pleasure in seeing that which we love become more than it was before."

"It's easy to attack and destroy an act of creation. It's a lot more difficult to perform one."

"Life is like a painting. Imagine it, hit and try drawing with the pencil of first steps, fill in the colors of happiness, correct the mistakes with eraser of love and forgiveness; thus, one dream project is accomplished. Create such masterpieces just like that."

"All of everything came into existence simply because it wanted to be. The big bang wasn't so much a big bang as a hasty dash toward an opportunity to trade nothingness for somethingness. The main contributory factor to the entire universe was a momentary effect in need of a cause."

"Create or attract through focused desire the things you wish for in life."
Explore more quotes by Brian Ferneyhough

"With respect to the respective French and German traditions you are no doubt correct, although I am reluctant to see individual achievement reduced to archetypes."

"There would seem to be a limit, even for an art preoccupied with boundaries and transgressions, beyond which a work reaches its breaking point and becomes an actual failure, a mere experimentation."

"When I speak of "cycles," I am referring to lengthy intervals of relative homogeneity, if not in the resolving of problems, than at least with respect to the consistency of their capacity to productively irritate."

"The Western musical canon came about not merely by accumulation, but by opposition and subversion, both to the ruling powers on whom composers depended for their livelihoods and to other musics."

"Questioning the nature and implications of liminal instances necessarily involves failure, if only in the specifically technical sense of entering spaces where prevailing criteria of success scarcely apply."

"Other composers have taken this particular technique much further than I in the meantime, with the result that the Law of Diminishing Returns has begun to apply."

"This was possible only by dint of extended periods of frequently quite painful reflection and digestion."

"My own position is, that it is largely up to the work itself to suggest the nature of these referential points without dimensions in and through the processes by which the distance between them is maintained."
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