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Brian Ferneyhough

"As a necessary prerequisite to the creation of new forms of expression one might, I suppose, argue that current sensibilities respond uniquely to the notion of exhaustion as exhaustion, although that does de facto seem rather limiting."

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"As a necessary prerequisite to the creation of new forms of expression one might, I suppose, argue that current sensibilities respond uniquely to the notion of exhaustion as exhaustion, although that does de facto seem rather limiting."

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Amber Hurdle

"Things conceived by minds and made by hands can never be quite the same, even if they try their best to be identical, because they're never the same from day to day or even moment to moment."

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Amber Hurdle

"If men would understand and appreciate the good efforts that went into creation and how beautiful, good and awesome the creations were at the beginning, they would never think of undermining the Creators effort and integrity by destroying the beauty of nature! God is watching us!"

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Amber Hurdle

"When God was creating heaven and earth, and there came what seemed like a problem: darkness and formlessness, He did not talk problem, instead, He spoke solution: 'And God said, "Let there be light," and there was light'. May we instead of making problems our speech, think and speak solutions!"

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Amber Hurdle

"Creators aren't gods. They make places, which is quite hard. It's men that make gods. This explains a lot."

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Amber Hurdle

"I am Ubik. Before the universe was, I am. I made the suns. I made the worlds. I created the lives and the places they inhabit; I move them here, I put them there. They go as I say, then do as I tell them. I am the word and my name is never spoken, the name which no one knows. I am called Ubik, but that is not my name. I am. I shall always be."

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Amber Hurdle

"You are the creation of your own consciousness."

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Amber Hurdle

"I could think, write or tell, instead I Lived and Created Myself!"

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Amber Hurdle

"Because you thought love was just gonna be there. You weren't taught that it had to be made, it had to be mixed, kneaded, recycled. Over and over, you have to keep creating it. Over and over with everyone you love. Over and over."

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Amber Hurdle

"The sacred space in time is irreplaceable."

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Brian Ferneyhough
"The past nine years in San Diego have represented such a period of questioning."
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Brian Ferneyhough
"I suppose that the scope and implications of such forces have rendered my personal accounting ritual pretty much obsolete. That's how things sometimes go."
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Brian Ferneyhough
"With respect to the respective French and German traditions you are no doubt correct, although I am reluctant to see individual achievement reduced to archetypes."
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Brian Ferneyhough
"My own position is, that it is largely up to the work itself to suggest the nature of these referential points without dimensions in and through the processes by which the distance between them is maintained."
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Brian Ferneyhough
"This was possible only by dint of extended periods of frequently quite painful reflection and digestion."
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Brian Ferneyhough
"Hence my obstinate emphasis on stylistic continuity from work to work rather than specific sibling relationships between the individual work and other members of its stylistic 'family' in the world outside."
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Brian Ferneyhough
"The idea of 'machine assemblage' is, especially, very alien to my sensibility, since it suggests a relative indifference of the strata to one another during the process of construction."
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Brian Ferneyhough
"Questioning the nature and implications of liminal instances necessarily involves failure, if only in the specifically technical sense of entering spaces where prevailing criteria of success scarcely apply."
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Brian Ferneyhough
"So: we're all tired. Now what? Manuscripts written in Club Med?"
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Brian Ferneyhough
"In my model, important interference phenomena arise when individual strata come into contact. These chaotic fluctuations are, I suppose, what my music is really 'about.'"
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