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John Hench

"Mickey is one of the prime examples: Mickey has never been suspected of being an American export. It was deja vu. They gave him a local name and he's been accepted everywhere he goes."

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"Mickey is one of the prime examples: Mickey has never been suspected of being an American export. It was deja vu. They gave him a local name and he's been accepted everywhere he goes."

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Amber Hurdle

"Ireland sober is Ireland stiff."

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Amber Hurdle

"The drive toward economic nationalism is only part of the general revival of nationalism."

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Amber Hurdle

"It's best to keep America just like that, always in the background, a sort of picture post card which you look at in a weak moment. Like that, you imagine it's always there waiting for you, unchanged, unspoiled, a big patriotic open space with cows and sheep and tenderhearted men ready to bugger everything in sight, man, woman or beast. It doesn't exist, America. It's a name you give to an abstract idea."

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Amber Hurdle

"We were very happy when a South African court, which had previously ruled against us, took another look and decided that this material was not obscene and allowed it into the country."

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Amber Hurdle

"I have no nationality - the best possible status for an intellectual."

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Amber Hurdle

"It still surprises me when I find something in any North Carolina newspaper that isn't mad at me about something."

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Amber Hurdle

"The Irish gave the bagpipes to the Scotts as a joke, but the Scotts haven't seen the joke yet."

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Amber Hurdle

"There is one day that is ours. Thanksgiving Day is the one day that is purely American."

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Amber Hurdle

"We may achieve climate, but weather is thrust upon us."

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Amber Hurdle

"I've lived in Los Angeles for at least 24 years."

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John Hench
"Well, it was never supposed to be like that. Walt died before we had finished. The original idea of Walt's was that you came down there, into the caves, and there were no pirates. But they had been there just seconds before! There was a hot meal on the table, steaming."
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John Hench
"We finally found out the technique of separating and getting information about where every train would be at any moment. Of course, I went over budget many times, because - as you go along - some things improved, and you get better ideas."
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John Hench
"Nobody now is going from department to another department. Only Walt did that. I was very fond of him, really."
Now,
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John Hench
"I did what we call dry for wet effects, some of the miniatures work and two animation sequences."
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John Hench
"For instance, some early ideas for Florida were done only recently. The idea of a little village was there from the beginning and now we have this "Celebration" village. Same thing for the Disney Institute. Walt talked about this idea in the very first."
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John Hench
"Walt understood all of those things, and even common things about people. For instance: Usually you get your idea of what kind of day it is by looking at the horizon, because the horizon is your eye level. So what Walt did is to eliminate the horizon."
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John Hench
"Walt had a marvelous intuition. And because he understood people very well, liked them and had great respect for people, there was nothing cynical about Walt."
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John Hench
"Walt put everything he knew about communication with images into the park, so it was very familiar."
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John Hench
"The show is being changed right now, by the way. Jeff Burke is doing it for the Magic Kingdom. And I think it will be better, with new birds, master of ceremonies, etc."
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John Hench
"Even in China. Children there, next to the Great Wall, who had never seen Mickey Mouse responded. So the studio did have that skill to communicate with images."
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