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"I was in no tent under leaves, sleepless and glad. There was no moon at all; along the world's coasts the sea tides would be springing strong. The air itself also has lunar tides; I lay still. Could I feel in the air an invisible sweep and surge, and an answering knock in the lungs? Or could I feel the starlight? Every minute on a square mile of this land one ten thousandth of an ounce of starlight spatters to earth. What percentage of an ounce did that make on my eyes and cheeks and arms, tapping and nudging as particles, pulsing and stroking as waves?"
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"The Peace of Wild ThingsWhen despair for the world grows in meand I wake in the night at the least soundin fear of what my life and my children's lives may be,I go and lie down where the wood drakerests in his beauty on the water, and the great heron feeds.I come into the peace of wild thingswho do not tax their lives with forethoughtof grief. I come into the presence of still water.And I feel above me the day-blind starswaiting with their light. For a timeI rest in the grace of the world, and am free."

"Every mind should reflect to touch the green of life through trees."

"Then the immortal heart of the woods will beat against ours and its subtle life will steal into our veins and make us its own forever, so that no matter where we go or how widely we wander we shall yet be drawn back to the forest to find our most enduring kinship."

"The pale pink light of dawn sparkled on branch and leaf and stone. Every blade of grass was carved from emerald, every drip of water turned to diamond. Flowers and mushrooms alike wore coats of glass. Even the mud puddles had a bright brown sheen. Through the shimmering greenery, the black tents of his brothers were encased in a fine glaze of ice. So there is magic beyond the Wall after all."

"Who would dare assign to art the sterile function of imitating nature?"

"Gray clouds were charging across tissues of white, which stretched and shredded and tore slowly, until through their final layers there gleamed a hint of the disappearing blue. Summer was retreating. The wind roared, the trees groaned, yet the noise seemed insufficient for those vast operations in heaven. The weather was breaking up, breaking, broken, and it is a sense of the fit rather than of the supernatural that equips such crises with the salvos of angelic artillery."

"Mountains in the distance remind me of you."
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"I smelled silt on the wind, turkey, laundry, leaves . . . my God what a world. There is no accounting for one second of it (267)."


"Every book has an intrinsic impossibility, which its writer discovers as soon as his first excitement dwindles."


"It has always been a happy thought to me that the creek runs on all night, new every minute, whether I wish it or know it or care, as a closed book on a shelf continues to whisper to itself its own inexhaustible tale."


"The writer studies literature, not the world. He is careful of what he reads, for that is what he will write."


"So it is that a writer writes many books. In each book, he intended several urgent and vivid points, many of which he sacrificed as the book's form hardened."


"Appealing workplaces are to be avoided. One wants a room with no view, so imagination can meet memory in the dark."


"Aim for the chopping block. If you aim for the wood, you will have nothing. Aim past the wood, aim through the wood; aim for the chopping block."


"There are 1,198,500,000 people alive now in China. To get a feel for what that means, simply take yourself - in all your singularity, importance, complexity, and love - and multiply by 1,198,500,000. See? Nothing to it."


"For writing a first draft requires from the writer a peculiar internal state which ordinary life does not induce. ... how to set yourself spinning?"
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