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Terry Gilliam

"We did Holy Grail, and I got my name up there as one of the directors. After that, I started moving more and more down the line I wanted to, which was making movies."

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"We did Holy Grail, and I got my name up there as one of the directors. After that, I started moving more and more down the line I wanted to, which was making movies."

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Asa Don Brown

"I've been a screenwriter for twenty-five years. Every one of my books have been optioned for movies and I have written a few of those screenplays."

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Asa Don Brown

"What I think happens today is that a lot of filmmakers look at other films that are retro pieces, like L.A. Confidential, and say, oh, that's period. We didn't want to do the stereotypical stuff."

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Asa Don Brown

"There are so many moments and works that influence us in what we do. Movies, music, TV and, most importantly, the profound everydayness of our lives."

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Asa Don Brown

"Right now, I'd like to just continue on a series where I am doing good work with a balance of comedy and drama. That and do occasional features and movies."

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Asa Don Brown

"We grew up as kids watching those movies and we were exposed to themes of civil rights, unfairness, bigotry and fathers struggling against the kind of mob of the town, so you remember how you felt as a kid being taken seriously, that you are part of the human drama."

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Asa Don Brown

"I like movies about longing and desperation, and dark and light things, stories about people struggling to raise children, and to have relationships and be intimate with each other."

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Asa Don Brown

"I'm also doing constant book readings, movies. You name it, I'm doing it."

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Asa Don Brown

"My father in the film - which we probably haven't seen in previous movies, and in British Asian movies you could probably count on one hand - he says exactly why, actually why he's frightened for his daughter. He came to this country, England, and had a bit of a crappy time."

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Asa Don Brown

"If movies are causing moral decay, then crime ought to be going up, but crime is going down."

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Asa Don Brown

"At the time I came along, Hollywood's idea of teen movies meant there had to be a lot of nudity, usually involving boys in pursuit of sex, and pretty gross overall. Either that or a horror movie. And the last thing Hollywood wanted in their teen movies was teenagers!"

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Terry Gilliam
"People used to think we just faked all that stuff... it was all written, rehearsed. The fact that it looks as cobbled together as it does is just that we weren't very good."
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Terry Gilliam
"It's been interesting how kids have had hardly any problems watching it, but adults have more trouble. This happened way back even with Jabberwocky and Time Bandits."
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Terry Gilliam
"Actually, I began to think that maybe there is a god, after all. Or maybe it's a different one. The old one got fired."
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Terry Gilliam
"You get trapped by stories. Though I've got this reputation for being out of control, it's not true, it just happens to be a more interesting story than the truth."
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Terry Gilliam
"At the first screening, there were a lot of areas that we went around and around about. Then we had our second screening. It played better. It's almost a reasonable length film now!"
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Terry Gilliam
"I was getting frustrated with America. It's interesting how as simple a thing as, like, letting your hair grow longer changed in the world in those days."
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Terry Gilliam
"I got my head bashed in at a demonstration against the Vietnam War. Police were losing control because they were up against a world they really didn't understand."
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Terry Gilliam
"It was lights, camera, inaction."
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Terry Gilliam
"John Cleese was with a group called Cambridge Circus, who had come to New York, and we became friends. Years later that produced a certain team effort."
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Terry Gilliam
"We took up the offer with the BBC, and that was Monty Python's Flying Circus. I didn't have to submit my ideas to the group. I used to turn up on the days we recorded with a can of film under my arm, and in it went."
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