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Diana Gabaldon

"When I asked my da how ye knew which was the right woman, he told me when the time came, I'd have no doubt. And I didn't. When I woke in the dark under that tree on the road to Leoch, with you sitting on my chest, cursing me for bleeding to death, I said to myself 'Jamie Fraser, for all ye canna see what she looks like, and for all she weights as much as a good draft horse, this is the woman."

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"When I asked my da how ye knew which was the right woman, he told me when the time came, I'd have no doubt. And I didn't. When I woke in the dark under that tree on the road to Leoch, with you sitting on my chest, cursing me for bleeding to death, I said to myself 'Jamie Fraser, for all ye canna see what she looks like, and for all she weights as much as a good draft horse, this is the woman."

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"I can't leave her now. I like her too much. There, I said it. But I won't say it again."

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"However, he wrote some verses on her, and very pretty they were. "And so ended his affection," said Elizabeth impatiently. "There has been many a one, I fancy, overcome in the same way. I wonder who first discovered the efficacy of poetry in driving away love! "I have been used to consider poetry as the food of love," said Darcy. "Of a fine, stout, healthy love it may. Everything nourishes what is strong already. But if it be only a slight, thin sort of inclination, I am convinced that one good sonnet will starve it entirely away."

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Asa Don Brown

"Perhaps twenty minutes later he realized she had gone to sleep. He quietly removed his now stiff arm, then turned away. It must have woken her a little After a moment he felt her turn as well and lay a hand, instinctively, like a sleeping wife, across his hips; as if, in some dream, he was the one who escaped."

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"You're mine, he growled. He hoped she really understood that too. That she was his in every sense of the word. And vice versa. The female completely owned him. Until the day he died, he would be hers."

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Diana Gabaldon
"To some extent, emotions are universal and can be treated that way; no matter what the participants' orientation or preference, they have sex for the same reasons and can experience the same array of emotions in the process. But there are three important distinctions to be made: 1. The logistics of physiology 2. The basics of sexual attraction 3. Cultural impact on character and situation."
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"So now it's space and time," he said. "You ever watch Doctor Who on PBS?""All the time," she said dryly, "on the BBC. And don't think I wouldn't sell my soul for a TARDIS."
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Diana Gabaldon
"If she was broken, she would slash him with her jagged edges, reckless as a drunkard with a shattered bottle."
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Diana Gabaldon
"I heard you went to Ireland...I haven't seen it in many years. Is it still green then, and beautiful?Wet as a bath sponge and mud to the knees but, aye, it was green enough."
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Diana Gabaldon
"Mid-afternoon, I'll go out and do the household errands, come home, do my gardening, go for an evening walk."
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Diana Gabaldon
"The vivid memory of the woods had blossomed into a visceral longing for the Ridge, so immediate that I felt the ghost of my vanished house rise around me, a cold mountain wind thrumming past its walls, and thought that, if I reached down, I could feel Adso's soft gray fur under my fingers. I swallowed, hard."
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Diana Gabaldon
"Still, he was pleased to know that he could recall so much of the play and passed the rest of the journey pleasantly in reciting lines to himself, being careful not to snort."
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Diana Gabaldon
"You have lost your mind,"Jamie said coldly, the shock receding slightly. "Or I should think you had, if ye had one to lose."
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Diana Gabaldon
"This is why you use imagery when writing about sex, it's a means both of evoking immediacy and of distilling emotion."
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Diana Gabaldon
"Knowing what o'clock it is gives ye the illusion that ye have some control over your circumstances."
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