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"I want the score to have a really big voice."
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"Every time you speak, you are using your voice to connect with others, whether it is in-person, on the phone, or in a recorded message."
"There's really no such thing as the 'voiceless'. There are only the deliberately silenced, or the preferably unheard."
"Truth even in the most whispered tones will always roar."
"I can sing, but my voice is untrained. I'd like to do a musical someday."
"You should hear the guy who dubs me in Japan. I like him the most. He has a high squeaky voice."
"You know how bad my voice sounds - well it feels just as bad."
Explore more quotes by Mike Figgis
"In discussing the process with the actors, I made it clear to them that they could improvise but that the sum total of their improvisation needed to impart certain plot points, and schematic material."
"The power of sound to put an audience in a certain psychological state is vastly undervalued. And the more you know about music and harmony, the more you can do with that."
"When I do the music, I make the musicians listen to what's happening in the film. That way they treat the dialogue as if it was a singer."
"Obviously, I try to make the films work for an audience. That's the main point of making a film, and in retrospect, one can see that certain films, let's say Leaving Las Vegas, demonstrated its own success."
"In a way, the history of jazz's development is a small mirror of classical music's development through the centuries. Now jazz is a living form of original music, while classical music has gotten to the end of its cycle in terms of exploring its form."
"I started using film as part of live theatre performance - what used to be called performance art - and I became intrigued by film."
"You make sure that there's a structure that's interesting for them to play on top of, then do temp versions and try it on the film. By the time the players come to the recording session, I've found what works. So I'm not wasting their time."
"Each film is different. Time Code was very quick - a matter of months. Miss Julie has been on my shelf as a script for some seven or eight years. But then the shooting process was very quick - 16 days."
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