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Mike Figgis

"I want the score to have a really big voice."

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"I want the score to have a really big voice."

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Amber Hurdle

"Onstage or in films, you do affect peoples' lives, and sometimes that's very gratifying. But still, there's this little voice that says you should be doing something that matters."

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Amber Hurdle

"Maybe I have just a younger voice than many other directors."

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Amber Hurdle

"April is the cruellest month."

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Amber Hurdle

"Voice comes to you through a spell, a trance. The best voices are not you... they're a little away from you."

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Amber Hurdle

"Perfectionism is the voice of the oppressor."

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Amber Hurdle

"Your tone of voice can be conveyed in both the words you speak and in the words you write."

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Amber Hurdle

"I'm with him because when I'm with him, I'm free to be me. I'm with him because he's hot. I'm with him because he lets me blather, since I'm prone to blathering, and he lets me rant when I have a bad day. I'm with him because when I rant, he makes me feel better and he does this effortlessly. I'm with him because I live for the times when I'm on the back of his bike and we're riding together, not even talking, just being free."

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Amber Hurdle

"Also, screw you-maybe you can be all stealthy and break into their building to get the woman out, but I can getus there and back safely. I did this for months and never got a second glance from anyone, including PSFs.'Probably because your ugly-ass face blinded them on the first look, she muttered."

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Amber Hurdle

"An echo has no voice of its own."

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Amber Hurdle

"If you hear a voice within you say 'you cannot paint,' then by all means paint, and that voice will be silenced."

Explore more quotes by Mike Figgis

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Mike Figgis
"The power of sound to put an audience in a certain psychological state is vastly undervalued. And the more you know about music and harmony, the more you can do with that."
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Mike Figgis
"You make sure that there's a structure that's interesting for them to play on top of, then do temp versions and try it on the film. By the time the players come to the recording session, I've found what works. So I'm not wasting their time."
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Mike Figgis
"In discussing the process with the actors, I made it clear to them that they could improvise but that the sum total of their improvisation needed to impart certain plot points, and schematic material."
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Mike Figgis
"I started using film as part of live theatre performance - what used to be called performance art - and I became intrigued by film."
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Mike Figgis
"I play piano and trumpet. I studied classical guitar."
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Mike Figgis
"There's nothing I've done which I'm ashamed of or I thought was actually bad."
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Mike Figgis
"In a way, the history of jazz's development is a small mirror of classical music's development through the centuries. Now jazz is a living form of original music, while classical music has gotten to the end of its cycle in terms of exploring its form."
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Mike Figgis
"When I do the music, I make the musicians listen to what's happening in the film. That way they treat the dialogue as if it was a singer."
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Mike Figgis
"Obviously, I try to make the films work for an audience. That's the main point of making a film, and in retrospect, one can see that certain films, let's say Leaving Las Vegas, demonstrated its own success."
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Mike Figgis
"It's difficult working with very rich actors, because inevitably they become a little spoilt, and the managers and agents tend to control things more than is healthy."
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