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"Of course a poem is a two-way street. No poem is any good if it doesn't suggest to the reader things from his own mind and recollection that he will read into it, and will add to what the poet has suggested. But I do think poetry readings are very important."
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"You need a poetic touch from the outer space? Then you need the moonlight!"
"I love writing poetry because it's pretty. I love writing pretty."
"Good poetry does not exist merely for the sake of itself, but rather, is a byproduct of yearning and growth; great poetry canonizes that yearning for the growth of others."
"The secret of poetry is never explained - is always new. We have not got farther than mere wonder at the delicacy of the touch, & the eternity it inherits. In every house a child that in mere play utters oracles, & knows not that they are such. 'Tis as easy as breath. 'Tis like this gravity, which holds the Universe together, & none knows what it is."
"The poet knows that he speaks adequately, then, only when he speaks somewhat wildly."
"A poet is not an inventor. A poet is a player that plays with words on the field of human imagination to excite a reader's mind with the colors of emotion."
"Amore is loveconfessed to you in haiku.Do you love me too?"
"For awhile after you quit Keats all other poetry seems to be only whistling or humming."
Explore more quotes by James Laughlin
"I think that is where poetry reading becomes such an individual thing. I mean I have friend who like poets who just don't say anything to me at all, I mean they seem to me rather ordinary and pedestrian."
"I think there is a great difference, in that when the poet is reading you get the whole personality of the person, especially if he's a good reader. Whereas a person just sitting gets what he puts into it."
"It's all well and good to say that Germans were all responsible for the concentration camps, but I don't think they were. I think that was the work of a small group of fiends."
"We do very little re-writing in the office. We often take on people who show great promise and who we hope will develop into somebody important and someone good."
"Concrete poets continue to turn out beautiful things, but to me they're more visual than oral, and they almost really belong on the wall rather than in a book. I haven't the least idea of where poetry is going."
"Often something comes in from which you can see that the person is good, the book may not be perfect as it is, and the person doesn't want to do a re-write. That's something we do almost nothing of."
"I think most people read and re-read the things that they have liked. That's certainly true in my case. I re-read Pound a great deal, I re-read Williams, I re-read Thomas, I re-read the people whom I cam to love when I was at what you might call a formative stage."
"I think one ages and one dates. I tend to have a good deal of difficulty in liking some of the new poets."
"The German experience, as you can see, did move me very much. Seeing that terrible destruction and seeing the miserable state of the people, how they had been beaten down by the war through no fault of their own probably."
"I do read everything that we publish. We usually have to have two or three votes for a book before we take it on. So in that sense I suppose it is an orchestra."
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