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Graham Greene

"A black boy brought Wilson's gin and he sipped it very slowly because he had nothing else to do except to return to his hot and squalid room and read a novel - or a poem. Wilson liked poetry, but he absorbed it secretly, like a drug. The Golden Treasury accompanied him wherever he went, but it was taken at night in small doses - a finger of Longfellow, Macaulay, Mangan: 'Go on to tell how, with genius wasted, Betrayed in friendship, befooled in love...' His taste was romantic. For public exhibition he has his Wallace. He wanted passionately to be indistinguishable on the surface from other men: he wore his moustache like a club tie - it was his highest common factor, but his eyes betrayed him - brown dog's eyes, a setter's eyes, pointing mournfully towards Bond Street."

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"A black boy brought Wilson's gin and he sipped it very slowly because he had nothing else to do except to return to his hot and squalid room and read a novel - or a poem. Wilson liked poetry, but he absorbed it secretly, like a drug. The Golden Treasury accompanied him wherever he went, but it was taken at night in small doses - a finger of Longfellow, Macaulay, Mangan: 'Go on to tell how, with genius wasted, Betrayed in friendship, befooled in love...' His taste was romantic. For public exhibition he has his Wallace. He wanted passionately to be indistinguishable on the surface from other men: he wore his moustache like a club tie - it was his highest common factor, but his eyes betrayed him - brown dog's eyes, a setter's eyes, pointing mournfully towards Bond Street."

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Amber Hurdle

"We are what we remember. If we lose our memory, we lose our identity and our identity is the accumulation of our experiences. When we walk down the memory lane, it can be unconsciously, willingly, selectively, impetuously or sometimes grudgingly. By following our stream of consciousness we look for lost time and things past. Some reminiscences become anchor points that can take another scope with the wisdom of hindsight. ['Walking down the memory lane']"

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Amber Hurdle

"I am not what you see.I am what time and effort and interaction slowly unveil."

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Amber Hurdle

"Yeah... sure you know me..."

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Amber Hurdle

"Strip back the beliefs pasted on by governesses, schools, and states, you find indelible truths at one's core."

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Amber Hurdle

"He needed the people and the clamour around him. There was no questions and no doubts when he stood on a platform over a sea of faces; the air was heavy, compact, saturated with a single solvent-admiration; there was no room for anything else. He was great; great as the number of people who told him so. He was right; right as the number of people who believed it. He looked at the faces, at the eyes, he saw himself born in them, he saw himself granted the gift of life. That was Peter Keating, that, the reflection in those staring pupils, and his body was only it's reflection."

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Amber Hurdle

"Don't be satisfied with stories, how things have gone with others. Unfold your own myth."

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Amber Hurdle

"No action could be lower or more futile than for one person to throw upon another the burden of his abdication of choice."

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Amber Hurdle

"I am not Iron-Man, I am Forest-Man!"

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Amber Hurdle

"Woman, don't you know, is such a subject that however much you study it, it's always perfectly new."

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Amber Hurdle

"How frustrating to think you can be lost to yourself. And yet how often it is that a stranger stares back at you from the mirror. Maybe in truth we never see ourselves as clearly as the thousands of eyes that daily take us in."

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Graham Greene
"I doubt if ever one ceases to love, but one can cease to be in love as easily as one can outgrow an author one admired as a boy."
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Graham Greene
"A movie is not a book. If the source material is a book, you cannot be too respectful of the book. All you owe to the book is the spirit."
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Graham Greene
"A book takes me a year to write. It's too hard work for a revenge. If you knew how little you had to revenge."
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Graham Greene
"People talk about the courage of condemned men walking to the place of execution: sometimes it needs as much courage to walk with any kind of bearing towards another person's habitual misery."
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Graham Greene
"In five hundred years' time, to the historian writing the Decline and Fall of the British Empire, this little episode would not exist. There will be plenty of other causes. You and me and poor Jones will not even figure in a footnote. It will be all economics, politics, battles."
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Graham Greene
"Thrillers are like life, more like life than you are."
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Graham Greene
"The conditions of writing change absolutely between the first novel and the second: the first is an adventure, the second is a duty. The first is like a sprint which leaves you exhausted and triumphant beside the track. With the second the writer has been transformed into a long-distance runner - the finishing tape is out of sight, at the end of life. He must guard his energies and plan ahead. A long endurance is more exhausting than a sprint, and less heroic."
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Graham Greene
"I know one thing you don't. I know the difference between Right and Wrong. They didn't teach you that at school.'Rose didn't answer the woman was quite right: the two words meant nothing to her. Their taste was extinguished by stronger foods--Good and Evil."
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Graham Greene
"Hatred seems to operate on the same glands as love it even produces the same actions. If we had not been taught how to interpret the story of the Passion would we have been able to say from their actions alone whether it was the jealous Judas or the cowardly Peter who loved Christ?"
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Graham Greene
"Life would go out in a 'fraction of a second' (that was the phrase), but all night he had been realizing that time depends on clocks and the passage of light. There were no clocks and the light wouldn't change. Nobody really knew how long a second of pain could be. It might last a whole purgatory--or for ever."
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