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"We did one pilot for FOX which was about this couple that moves to a town, and we play everyone in the entire town. So it was like a Peter Sellers film."
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"The things that I've done that have totally been remembered, they've always started with the same kind of engine, they've always started with someone saying 'I have to make this film - I'm going to make this film whatever the odds'."

"It was very much about performances, the whole ensemble thing was just great - everybody working together. Sometimes it didn't feel like a film set. It wasn't technically driven, it was very, very enjoyable."
Film,

"I prefer film and that's what I think I'm gonna put my focus on."
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"Yes, I am complimented on my work in Kids in the Hall once or twice a week. It's a nice feeling."


"That's the other thing about working on movies, the commitment is years. That's one thing that's so frustrating about the process is that it goes on and on and on for years."


"Kerri and I met at theatre camp when were 16 years old, which is pretty lame. The rest of us met when we founded the State at New York University in 1988. Most of our adult lives have been spent bickering with these people."


"Super Troopers is hilarious. Everybody always thought we somehow - we did Reno way, way before any of us had seen Super Troopers. It sat on the shelf for a couple years."


"All studio movies are the middle of the Bell curve. The only way to do something is to do it yourself. And the only way to do that is to not take any money from anyone or take as little money as possible from anyone and that's it."


"I feel like I'm the most well-adjusted character on the show, even though I'm sure the other actors would tell you the same thing about their characters."


"You hate to see yourself do one draft of a script and then have somebody else come back in and change what you've done."
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