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"If you write fiction, you're by yourself. There are certain advantages to that in that you don't have to explain anything to anybody. But when you get in with others who share the loneliness of the whole enterprise, you're not lonely anymore."
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"She even tried the one which every romantic nerve in her body insisted should work, which consisted of theatrically giving up, sitting down, and letting her glance fall naturally on a patch of earth which, if she had been in any decent narrative, should have contained the book.It didn't."

"Where do you think they've gone?' he said.'Where what?' said Lady Ramkin, temporarily halted.'The dragons. You know. Errol and his wi - female.''Oh, somewhere isolated and rocky, I should imagine,' said Lady Ramkin. 'Favourite country for dragons.''But it - she's a magical animal,' said Vimes. 'What'll happen when the magic goes away?'Lady Ramkin gave him a shy smile.'Most people seem to manage,' she said.She reached across the table and touched his hand."

"But to be perfectly frank, this childish idea that the author of a novel has some special insight into the characters in the novel...it's ridiculous. That novel was composed of scratches on a page, dear. The characters inhabiting it have no life outside of those scratches. What happened to them? They all ceased to exist the moment the novel ended."

"The good ended happily, and the bad unhappily. That is what fiction means."

"A man walked across the moors from Razorback to Lancre town without seeing a single marshlight, head-less dog, strolling tree, ghostly coach or comet, and had to be taken in by a tavern and given a drink to unsteady his nerves."

"Neither novels or their readers benefit from any attempts to divine whether any facts hide inside a story. Such efforts attack the very idea that made-up stories can matter, which is sort of the foundational assumption of our species."

"Vampires did not avoid mirrors because they cast no reflection but because mirrors became so unflattering with the illusion of fuzzy focus wrenched away."
Explore more quotes by Denis Johnson

"If you write fiction, you're by yourself. There are certain advantages to that in that you don't have to explain anything to anybody. But when you get in with others who share the loneliness of the whole enterprise, you're not lonely anymore."

"You're under pressure when you produce facts. You're working with facts in journalism, but you're under all kinds of formal constraints; there are expectations."

"I didn't finish the stories until we went to the Philippines and I got malaria. I couldn't work and I didn't have any money, but I had seven stories. So I wrote three or four more."

"When I'm writing for Esquire, my conscious thought is, I'm not writing for American Scholar."

"All the modern verse plays, they're terrible; they're mostly about the poetry. It's more important that the play is first."

"I think it's silly for anyone to think you could write under the influence, but if they'd like to think that, I'd like to keep the legend alive. Maybe I was under the influence when I wrote Jesus' Son and I just didn't know it."

"What's funny about Jesus' Son is that I never even wrote that book, I just wrote it down. I would tell these stories and people would say, You should write these things down."

"If you take a lie and allow your desire for the truth, you'll end up with some truth - not fact, but something that gets you closer to the truth. That's what we want. When we go to a play, we need to be assured that the experience we're having."

"In the plays - that's where I go crazy. But my prose has a much lighter touch; it's not trying to thrill with language, just to be more truthful. I'm not concerned with the accuracy of anything. We don't get to the truth of anything with facts."

"I'd met a woman and I got married, but the money ran out right away. I hadn't had a job for seven months, and it just came over me that I was never going to work again. It hit me."
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