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"When people say to me, 'Why are you so good at writing at women?' I say, 'Why isn't everybody?' Obviously there are differences between men and women - that's what makes it all fun. But we're all people. There's a lot of good writers who are very humanist, but still manage to kind of skip fifty-five per cent of the race. And I just don't get that. Not to be able to write an entire gender? To me, the question isn't how do you do it? It's how can you possibly avoid doing it?"
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"Twofold misjudgement. - The misfortune suffered by clear-minded and easily understood writers is that they are taken for shallow and thus little effort is expended on reading them: and the good fortune that attends the obscure is that the reader toils at them and ascribes to them the pleasure he has in fact gained from his own zeal."

"You want to avoid at all costs drawing your characters on those that already exist in other works of fiction. You must learn about people from people, not from what you read. Your reading should confirm what you've observed in the world."

"As often I have been a science fiction writer writing science fiction for the community of science fiction readers, I am also, for good or ill, an American writing American literature to an American audience. Most fundamentally, though, I am a human being writing human literature to a human audience."

"Copywriters, journalists, mainstream authors, ghostwriters, bloggers and advertising creatives have as much right to think of themselves as good writers as academics, poets, or literary novelists."

"Now, practically even better news than that of short assignments is the idea of shitty first drafts. All good writers write them."

"I'd be somewhat of a lousy writer if I didn't know what to say."

"A true piece of writing sets you free."
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"Bottom line is, even if you see 'em coming, you're not ready for the big moments. No one asks for their life to change, not really. But it does. So what are we, helpless? Puppets? No. The big moments are gonna come. You can't help that. It's what you do afterwards that counts. That's when you find out who you are."

"My mom and dad were divorced, and although they got along very well, my mom thought American television was reprehensible, so I was raised on the BBC. I kind of agreed with her. We watched American news, though."

"Passion. It lies in all of us. Sleeping... waiting... and though unwanted, unbidden, it will stir... open its jaws and howl. It speaks to us... guides us. Passion rules us all. And we obey. What other choice do we have? Passion is the source of our finest moments. The joy of love... the clarity of hatred... the ecstasy of grief. It hurts sometimes more than we can bear. If we could live without passion, maybe we'd know some kind of peace. But we would be hollow. Empty rooms, shuttered and dank. Without passion, we'd be truly dead."

"In my generation, there was a single girl given the strength and skill to fight the spread of darkness...but in your generation, there are nearly two thousand with the powers of the slayer, and not all of them have chosen to use their newfound abilities conscientiously."

"TV does a thing that film can never do. It takes you to a place that no novel written after the late 19th century can. You can just go through people's lives it's like a marriage."

"The news isn't there to tell you what happened. It's there to tell you what it wants you to hear or what it thinks you want to hear."

"Everything we do really is just a little marker on the long road to death. And sometimes that's overwhelmingly depressing to me, and sometimes it makes me feel kinship and forgiveness. We've all got the same ending to the story. The way we make that story more elaborate, I got to respect."

"I am not a fan of referencing your own work when it's in a different universe than what you're doing. That, to me, is a wink at the audience, and winking isn't actually cool when you're not, like, 10."
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