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John Eaton

"I think the composer and production staff of an opera have a real responsibility to use visual elements of all kinds to make clear to the American audience, at any rate, exactly what is going on."

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"I think the composer and production staff of an opera have a real responsibility to use visual elements of all kinds to make clear to the American audience, at any rate, exactly what is going on."

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"I think the composer and production staff of an opera have a real responsibility to use visual elements of all kinds to make clear to the American audience, at any rate, exactly what is going on."

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John Eaton
"However, yes, especially as one gets older, you know, you really hope that your music will become more generally available, even though some of the performances might be riddled with faults."
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John Eaton
"In other words, I think that if an audience listens to something as an experience of how in tune it is or something of that kind, that the whole point is somehow being missed, and the music has failed."
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John Eaton
"Nevertheless, one doesn't have time to think, oh, well, this is a quarter tone sharp, or flat."
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John Eaton
"I'm thinking in terms of a point of departure, a field of action for performers to express an expressive need of mine which hopefully the context of music would convey."
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John Eaton
"It's not important to me to found a school; it's not important to me to have disciples."
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John Eaton
"We need it to capture the energy of contemporary life."
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John Eaton
"I've just simply used what I've used because of the great, great expressive potential of it."
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John Eaton
"The way that I got involved with microtonal music was, frankly, through jazz."
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John Eaton
"If you look at the timing of many of the Greek dramas from the theatrical point of view, it's all off, and I think the reason for that is that music played a very important part."
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John Eaton
"I think I was first to do live performances on a modern electronic sound synthesizer."
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