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"I think the composer and production staff of an opera have a real responsibility to use visual elements of all kinds to make clear to the American audience, at any rate, exactly what is going on."
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"However, yes, especially as one gets older, you know, you really hope that your music will become more generally available, even though some of the performances might be riddled with faults."
Music
"I'm thinking in terms of a point of departure, a field of action for performers to express an expressive need of mine which hopefully the context of music would convey."
Music
"I've just simply used what I've used because of the great, great expressive potential of it."
Expressive
"I really write for people."
People
"The way that I got involved with microtonal music was, frankly, through jazz."
Music
"We need to open up the future. We also need to keep everything valuable from the past."
Future
"Nevertheless, one doesn't have time to think, oh, well, this is a quarter tone sharp, or flat."
Time
"We need it to capture the energy of contemporary life."
Life
"I think a lot of composers get into trouble just making up a plot and expecting an audience to follow that."
Plot
"Well, let me, first of all, say, that as a microtonal composer, I've never been much of a theorist."
Composer
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"I think the composer and production staff of an opera have a real responsibility to use visual elements of all kinds to make clear to the American audience, at any rate, exactly what is going on."
Author Name
Personal Development
"You must first clearly see a thing in your mind before you can do it."
Author Name
Personal Development
"Imagine a brilliant rose of pure love in your heart. Next, see a twinkling flower within the hearts of all you meet."
Author Name
Personal Development
"See the things you want as already yours. Think of them as yours, as belonging to you, as already in your possession."
Author Name
Personal Development
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