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"The vivid memory of the woods had blossomed into a visceral longing for the Ridge, so immediate that I felt the ghost of my vanished house rise around me, a cold mountain wind thrumming past its walls, and thought that, if I reached down, I could feel Adso's soft gray fur under my fingers. I swallowed, hard."
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"Every time the long-forgotten people of the past are remembered, they are born again!"
"To forget is to blithely toss aside the hard lessons that were hard won by others before us, thereby needlessly dooming us to endure the hard lessons that are likely to be forgotten by those who will follow us. And it is altogether reasonable that in order to avoid this repetitive trouncing, God graciously granted us memories."
"Memory is a few lines snipped from a larger story that we are privileged to tuck away between the pages of our minds."
"That's a nice song,' said young Sam, and Vimes remembered that he was hearing it for the first time. It's an old soldiers' song,' he said. Really, sarge? But it's about angels.' Yes, thought Vimes, and it's amazing what bits those angels cause to rise up as the song progresses. It's a real soldiers' song: sentimental, with dirty bits. As I recall, they used to sing it after battles,' he said. 'I've seen old men cry when they sing it,' he added. Why? It sounds cheerful.' They were remembering who they were not singing it with, thought Vimes. You'll learn. I know you will."
"We sometimes take photos (or record a video) so that we can later see what was happening while we were busy taking photos (or recording a video)."
"When the past is mentioned, some cry! When the past is mentioned, some ponder! When the past is mentioned, never again comes into the mind of some people. When the past is mentioned, some recall their had I known! The past is past, but its footprints never go!"
Explore more quotes by Diana Gabaldon
"That's the best thing I can think of. Having a good hold on your arse always makes me feel steady."
"For a different woman, a different relationship, a different situation, gentleness might have been the proper, the only approach-but not for this woman, in these circumstances. The only thing that will cleanse Claire (and reassure her: look at what she says at the end of it. She feels safe again, having felt the power and violence in him) is violence. And-the most important point here-Jamie pays attention to what she wants, rather than proceeding with his own notion of how it should be, even though it's a sensible notion and the one most people would have."
"Alive, and one. We are one, and while we love, death will never touch us. 'The grave's a fine and private place/ but none, I think, do there embrace."
"It's always better if they see. Then they don't imagine things. So I didn't imagine, I remembered."
"Soldiers manage by dividing themselves. They're one man in the killing, another at home, and the man that dandles his bairn on his knee has nothing to do wi' the man who crushed his enemy's throat with his boot, so he tells himself, sometimes successfully."
"I want to take ye to bed. In my bed. And I mean to spend the rest of the day thinking what to do wit ye once I got ye there. So wee Archie can just go and play at marbles with his bollucks, aye?"
"You have lost your mind,"Jamie said coldly, the shock receding slightly. "Or I should think you had, if ye had one to lose."
"When I turned 35, I thought, 'Mozart was dead at 36, so I set the bar: I'm going to start writing a book on my next birthday.' I thought historical fiction would be easiest because I was a university professor and know my way around a library, and it seemed easier to look things up than make them up."
"Conflict and character are the heart of good fiction, and good mystery has both of those in spades."
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