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Fay Wray

"Cary Grant and I were doing a play in New York. He had a crush on me. Whenever we went to a party, he would always sit on the floor beside me. I thought that was kind of beautiful, like that's where he wanted to be."

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"Cary Grant and I were doing a play in New York. He had a crush on me. Whenever we went to a party, he would always sit on the floor beside me. I thought that was kind of beautiful, like that's where he wanted to be."

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Assegid Habtewold

"Think of what you desire out of life."

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"Most people don't think most of the time. They just use other people's thoughts as a crutch to get by."

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Assegid Habtewold

"I mean, I've had bartenders and waiters and waitresses make a comment about a joke of mine, like pointing out some sort of logic error or something that I've never even thought about, and they're right."

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Assegid Habtewold

"It is too ordinary for us to think we are too ordinary. It is too unwise for us to think we are too wise. It is too sinful for us to think we are too sinful beyond pardon. It would be too unrighteous for us to think we are too righteous. There is always something we may think about, but let us think about something!"

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Assegid Habtewold

"I thought, well of course, Kinsey absolutely adored teaching. He was a wonderful teacher. So these kids really inspired me. So that was a clue I hung onto. He loved young people, he absolutely loved them. And he loved teaching them and trying to help them."

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Assegid Habtewold

"I thought The Shining was just absolutely wonderful. Stephen King reaches all kinds of people. In the beginning he was just dismissed out of hand, which was terrible."

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Assegid Habtewold

"But here's my point to the LA Times. If you had a serious story to run, if you thought there was serious misconduct, you don't wait until the Thursday before the Tuesday. You run it early."

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Assegid Habtewold

"Thought and theory must precede all salutary action; yet action is nobler in itself than either thought or theory."

Explore more quotes by Fay Wray

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Fay Wray
"When it was over my daughter said, 'Oh, I felt so sorry for him - he didn't want to hurt you, he liked you.' That was Victoria. When you visualize him up there on top of the Empire State Building, you do feel sorry for him."
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Fay Wray
"So I was asked to do horror film after horror film, a series of about five, after that, and some of those were a little too gruesome. I wasn't too comfortable all the time in those. I didn't really care for them."
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Fay Wray
"I think the studio gave me that series on purpose, because they knew perfectly well that Robert Riskin was ill and that I needed to go to work. They gave me that series to do."
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Fay Wray
"As far as advice, that will be in my next book, my next collection. I certainly never like to instruct anyone, but just say as I feel. That's the same as advice, isn't it?"
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Fay Wray
"When the picture was finished, they took me into the sound room and then I screamed more for about five minutes just steady screaming, and then they'd cut that in and add it."
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Fay Wray
"When we were making KONG, I went into the sound room and made an aria of horror sounds. I was in charge of it; there was no one there to listen to me. I was totally in charge of what I wanted to do."
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Fay Wray
"Actually, the camera was never overhead at any time. It was always a side view of me. Subsequently, after the picture was released, I saw some scenes from above and my clothes being pulled-and I think that was added later."
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Fay Wray
"They were very considerate, I must say. Every time I felt I was about to slip out of these fingers and would yell for help, they'd let me down and re-organize things."
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Fay Wray
"Only in your imagination can you revise."
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Fay Wray
"I thought I saw him for what he was-or what I thought he was. And he was talented, no doubt about that. But, he thought his talent was based on misery and that if he became happy it would just go. He believed that."
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