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Ken Burns

"I never, ever want to apologize for a film. If it's bad I'll say it's my fault. And that's what I can say so far in all the films that I've done, that if you don't like it, it's entirely my fault."

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"I never, ever want to apologize for a film. If it's bad I'll say it's my fault. And that's what I can say so far in all the films that I've done, that if you don't like it, it's entirely my fault."

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Amber Hurdle

"One of the disadvantages of wine is that it makes a man mistake words for thoughts."

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Amber Hurdle

"I made a lot of mistakes, one of them was to promise. I must stop promise, the promise is like something which you in everytime in any case you must do what you said you will do! - That's why I hate it!"

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Amber Hurdle

"It is almost always a fault of one who loves not to realize when he ceases to be loved."

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Amber Hurdle

"The man with a toothache thinks everyone happy whose teeth are sound. The poverty-stricken man makes the same mistake about the rich man."

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Amber Hurdle

"If all else fails, immortality can always be assured by spectacular error."

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Amber Hurdle

"Most of our faults are more pardonable than the means we use to conceal them."

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Amber Hurdle

"You look like gold. I've been fooled before, but now I know I've made the mistake in the past. But now I, now I know the difference from gold and brass."

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Amber Hurdle

"We're kind of defined by our mistakes."

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Amber Hurdle

"I hope it will be set in California. In a way, I made a mistake, because a New Jersey policeman can't operate that way in New York. But in California, he can move between different counties."

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Amber Hurdle

"Mistrust of good success hath done this deed.O hateful error, Melancholy's child,Why dost thou show to the apt thoughts of menThe things that are not? O Error, soon concieved,Thou never com'st unto a happy birth,But kill'st the mother that engendered thee."

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Ken Burns
"I began to feel that the drama of the truth that is in the moment and in the past is richer and more interesting than the drama of Hollywood movies. So I began looking at documentary films."
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Ken Burns
"In a sense I've made the same film over and over again. In all of them I've asked, 'Who are we as Americans?"
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Ken Burns
"We're having a hard time understanding where jazz is going. What happened to jazz?"
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Ken Burns
"The stories from 1975 on are not finished and there is no resolve. I could spend 50 hours on the last 25 years of jazz and still not do it justice."
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Ken Burns
"A jazz beat is a dynamic changing rhythm."
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Ken Burns
"Louis Armstrong is quite simply the most important person in American music. He is to 20th century music (I did not say jazz) what Einstein is to physics."
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Ken Burns
"I think my expectations for myself are much more severe and much more direct. You can't work on a film for six years without being your own toughest critic. So you can't really be distracted by the expectations based on your previous performance."
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Ken Burns
"Like a layer on a pearl, you can't specifically identify the irritant, the moment of the irritant, but at the end of the day, you know you have a pearl."
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Ken Burns
"You know, you meet some people, and do a lot of interviews, and you come across a Buck O'Neill and you know you are going to know him for the rest of your life. The same thing happened with Curt Flood."
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Ken Burns
"When you are editing, the final master is Aristotle and his poetics. You might have a terrific episode, but if people are falling out because there are just too many elements in it, you have to begin to get rid of things."
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