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Ken Burns

"I never, ever want to apologize for a film. If it's bad I'll say it's my fault. And that's what I can say so far in all the films that I've done, that if you don't like it, it's entirely my fault."

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"I never, ever want to apologize for a film. If it's bad I'll say it's my fault. And that's what I can say so far in all the films that I've done, that if you don't like it, it's entirely my fault."

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Ken Burns
"I have made all my films for my children with the exception of my first film because my oldest daughter wasn't born when I was making the film about the Brooklyn Bridge."
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Ken Burns
"You don't work on something for six years and be blind to the myriad of other approaches."
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Ken Burns
"History is malleable. A new cache of diaries can shed new light, and archeological evidence can challenge our popular assumptions."
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Ken Burns
"I enjoy total creative control right now. Nobody tells me to make it longer, shorter, better, sexier, more violent, whatever."
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Ken Burns
"The genius of our country is improvisation, and jazz reflects that. It's our great contribution to the arts."
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Ken Burns
"I think we too often make choices based on the safety of cynicism, and what we're lead to is a life not fully lived. Cynicism is fear, and it's worse than fear - it's active disengagement."
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Ken Burns
"Jazz is a very accurate, curiously accurate accompaniment to 20th century America."
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Ken Burns
"I record all of my music with authentic instruments in a studio before we start editing, doing many, many versions. The music shapes the film as we edit so it has an organic relationship to the content."
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Ken Burns
"You need, as a historian, essential triangulation from your subject and the only way you get that triangulation is through time."
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Ken Burns
"One of the things I really like about Ford's films is how there is always a focus on the way characters live, and not just the male heroes."
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