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"The good ended happily, and the bad unhappily. That is what fiction means."
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"Literary fiction, as a strict genre, is all but dead. Meanwhile, most genres flourish."

"She even tried the one which every romantic nerve in her body insisted should work, which consisted of theatrically giving up, sitting down, and letting her glance fall naturally on a patch of earth which, if she had been in any decent narrative, should have contained the book.It didn't."

"Where do you think they've gone?' he said.'Where what?' said Lady Ramkin, temporarily halted.'The dragons. You know. Errol and his wi - female.''Oh, somewhere isolated and rocky, I should imagine,' said Lady Ramkin. 'Favourite country for dragons.''But it - she's a magical animal,' said Vimes. 'What'll happen when the magic goes away?'Lady Ramkin gave him a shy smile.'Most people seem to manage,' she said.She reached across the table and touched his hand."

"Flakes of snow swirled and danced across the porch. The Overlook faced it as it had for nearly three-quarters of a century, its darkened windows now bearded with snow, indifferent to the fact it was now cut off from the world. Inside its shell the three of them went about their early evening routine, like microbes trapped in the intestine of a monster."

"But to be perfectly frank, this childish idea that the author of a novel has some special insight into the characters in the novel...it's ridiculous. That novel was composed of scratches on a page, dear. The characters inhabiting it have no life outside of those scratches. What happened to them? They all ceased to exist the moment the novel ended."

"The good ended happily, and the bad unhappily. That is what fiction means."

"A man walked across the moors from Razorback to Lancre town without seeing a single marshlight, head-less dog, strolling tree, ghostly coach or comet, and had to be taken in by a tavern and given a drink to unsteady his nerves."
Explore more quotes by Oscar Wilde

"The post on her left was occupied by Mr. Erskine of Treadley, an old gentleman of considerable charm and culture, who had fallen, however, into bad habits of silence, having, as he explained once to Lady Agatha, said everything that he had to say before he was thirty."

"Up to the present man has hardly cultivated sympathy at all. He has merely sympathy with pain, and sympathy with pain is not the highest form of sympathy. All sympathy is fine, but sympathy with suffering is the least fine mode. It is tainted with egotism. It is apt to become morbid. There is in it a certain element of terror for our own safety. We become afraid that we ourselves might be as the leper or as the blind, and that no man would have care of us. It is curiously limiting, too. One should sympathise with the entirety of life, not with life's sores and maladies merely, but with life's joy and beauty and energy and health and freedom."

"Poets are not so scrupulous as you are. They know how useful passion is for publication. Nowadays a broken heart will run to many editions.""I hate them for it," cried Hallward. "An artist should create beautiful things, but should put nothing of his own life into them. We live in an age when men treat art as if it were meant to be a form of autobiography. We have lost the abstract sense of beauty. Some day I will show the world what is it; and for that the world shall never see my portrait of Dorian Gray."

"The arts that have escaped [uniformity] best are the arts in which the public take no interest. Poetry is an instance of what I mean. We have been able to have fine poetry in England because the public do not read it, and consequently do not influence it."

"What people call insincerity is simply a method by which we can multiply our personalities."

"Man is least himself when he talks in his own person. Give him a mask, and he will tell you the truth."
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