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"The seventh reader interrupts you: 'Do you believe that every story must have a beginning and an end? In ancient times a story could only end in two ways: having passed all the tests, the hero and heroine married, or else they died. The ultimate meaning to which all stories refer has two faces: the continuity of life, the inevitability of death.'You stop for a moment to reflect on these words. Then, in a flash, you decide you want to marry Ludmilla."
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Exlpore more Literature quotes
"The best of fiction, as we know, of course, doesn't tell the truth; it tales the truth."
"There are books that speak to us of our own lives with a clarity we cannot match. They prevent the morose suspicion that we do not fully belong to the species, that we lie beyond comprehension. Our embarrassments, our sulks, our envy, our feelings of guilt, these phenomena are conveyed in Austen in a way that affords us bursts of almost magical self-recognition. The author has located words to depict a situation we thought ourselves alone in feeling, and for a few moments, we see ourselves more clearly and wish to become whom the author would have wanted us to be."
"Character in decay is the theme of the great bulk of superior fiction."
"Stories are like children. They grow in their own way."
"These fragments I have shored against my ruins."
"A book is a garden, an orchard, a storehouse, a party, a company by the way, a counselor, a multitude of counselors."
"Poetry has done enough when it charms, but prose must also convince."
"In great literature, I become a thousand different men but still remain myself."
"I was always going to the bookcase for another sip of the divine specific."
"It is my opinion that a story worth reading only in childhood is not worth reading even then."
Explore more quotes by Italo Calvino
"You are about to begin reading Italo Calvino's new novel, If on a Winter's Night a Traveller. Relax. Concentrate. Dispel every other thought. Tell the others right away, 'No, I don't want to watch TV! I'm reading! I don't want to be disturbed!"
"I'm accustomed to thinking of literature as a search for knowledge; in order to move onto existential terrain I need to consider it in relation to anthropology, ethnology, and mythology."
"And meanwhile the Galaxy ran through space and left behind those signs old and new and I still hadn't found mine."
"Marco's answers and objections took their place in a discourse already proceeding on its own, in the Great Khan's head. That is to say, between the two of them it did not matter whether questions and solutions were uttered aloud or whether each of the two went on pondering in silence. In fact, they were silent, their eyes half-closed, reclining on cushions, swaying in hammocks, smoking long amber pipes.Marco Polo imagined answering (or Kublai Khan imagined his answer) that the more one was lost in unfamiliar quarters of distant cities, the more one understood the other cities he had crossed to arrive there."
"You turn the book over in your hands, you scan the sentences on the back of the jacket, generic phrases that don't say a great deal. So much the better, there is no message that indiscreetly outshouts the message that the book itself must communicate directly, that you must extract from the book, however much or little it may be. Of course, this circling of the book, too, this reading around it before reading inside it, is a part of the pleasure in a new book, but like all preliminary pleasures, it has its optimal duration if you want it to serve as a thrust toward the more substantial pleasure of the consummation of the act, namely the reading of the book."
"Now that he is no longer here I should be interested in so many things: philosophy, politics, history. I follow the news, read books, but they befuddle me. What he meant to say is not there, for he understood something else, something that was all-embracing, and he could not say it in words but only by living as he did."
"They knew each other. He knew her and so himself, for in truth he had never known himself. And she knew him and so herself, for although she had always known herself she had never been able to recognize it until now."
"What matters is not the enclosure of the work within a harmonious figure, but the centrifugal force produced by it -- a plurality of language as a guarantee of a truth that is not merely partial."
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