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Italo Calvino

"The seventh reader interrupts you: 'Do you believe that every story must have a beginning and an end? In ancient times a story could only end in two ways: having passed all the tests, the hero and heroine married, or else they died. The ultimate meaning to which all stories refer has two faces: the continuity of life, the inevitability of death.'You stop for a moment to reflect on these words. Then, in a flash, you decide you want to marry Ludmilla."

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"The seventh reader interrupts you: 'Do you believe that every story must have a beginning and an end? In ancient times a story could only end in two ways: having passed all the tests, the hero and heroine married, or else they died. The ultimate meaning to which all stories refer has two faces: the continuity of life, the inevitability of death.'You stop for a moment to reflect on these words. Then, in a flash, you decide you want to marry Ludmilla."

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"Chekhov was capable of casually tossing off deplorable comments in his letters, combined with a very modern anger against anti-Semitism."

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"The magic and the danger of fiction is this: it allows us to see through other eyes. It takes us to places we have never been, allows us to care about, worry about, laugh with, and cry for people who do not, outside of the story, exist. There are people who think that things that happen in fiction do not really happen. These people are wrong."

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"I love stories that suck you in, that you can't stop reading because you are quite simply there."

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"It was pretty silly quoting poetry around free and easy like that. It was the act of a silly damn snob. Give man a few lines of verse and he thinks he's the Lord of all Creation. You think you can walk on water with all your books. Well, the world can get by just fine without them."

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"Alexander the Great slept with 'The Iliad' beneath his pillow. Though I've never led an army, I am a wanderer. I cradle 'The Odyssey' nights while the moon is waning, as if it were the sweet body of a woman."

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"In a way, literature is true than life,' he said to himself. 'On paper, you say exactly and completely what you feel. How easy it is to break things off on paper! You hate, you shout, you kill, you commit suicide; you carry things to the very end. And that's why it's false. But it's damned satisfying. In life, you're constantly denying yourself, and others are always contradicting you. On paper, I make time stand still and I impose my convictions on the whole world; they become the only reality."

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"Verses which do not teach men new and moving truths do not deserve to be read."

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"For several years, while I searched for, found, and studied black women writers, I deliberately shut O'Connor out, feeling almost ashamed that she had reached me first. And yet, even when I no longer read her, I missed her, and realized that though the rest of America might not mind, having endured it so long, I would never be satisfied with a segregated literature. I would have to read Zora Hurston and Flannery O'Connor, Nella Larsen and Carson McCullers, Jean Toomer and William Faulkner, before I could begin to feel well read at all."

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"In reading we have to allow the sunken meanings to remain sunken, suggested, not stated; lapsing and flowing into each other like reeds on the bed of a river."

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"A classic is a book that has never finished saying what it has to say."
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"In fact the problem Leopardi is facing is speculative and metaphysical, a problem in the history of philosophy from Parmenides to Descartes and Kant: the relationship between the idea of infinity as absolute space and absolute time, and our empirical knowledge of space and time."
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"Who are we, who is each one of us, if not a combinatoria of experiences, information, books we have read, things imagined?"
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"It is not the voice that commands the story: it is the ear."
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"It's better not to know authors personally, because the real person never corresponds to the image you form of him from reading his books."
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"If one starts to draw comparisons between what is and what is not, it is the poorer qualities of the former that strike you, the impurities, the flaws; in short, you can only really feel safe with nothingness."
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"The difference between the true and the false is only a prejudice of ours."
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"Memory's images, once they are fixed in words, are erased."
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"But Ludmilla is always at least one step ahead of you. 'I like to know that book exists that I will still be able to read she says, sure that existent objects, concrete albeit unknown, must correspond to the strength of her desire. How can you keep up with her, this woman who is always reading another book besides the one before her eyes, a book that does not yet exist, but which, since she wants it, cannot fail to exist?"
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"Reading is going toward something that is about to be, and no one yet knows what it will be."
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