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"Dolorita Hunsickle says that the chipmunks tell your fortune if you catch them but I never did. She says a chipmunk told her she would grow up to be a famous ballerina and that she would die of consumption unloved in a boardinghouse in Prague."
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"Fate is like a strange, unpopular restaurant filled with odd little waiters who bring you things you never asked for and don't always like."

"Fate has a cruel sense of humor, don't you think?"

"Every individual acts and suffers in accordance with his peculiar teleology, which has all the inevitability of fate, so long as he does not understand it."
Fate,

"Sometimes fate is like a small sandstorm that keeps changing direction."
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"You're always you, and that don't change, and you're always changing, and there's nothing you can do about it."

"Start telling the stories that only you can tell, because there'll always be better writers than you and there'll always be smarter writers than you. There will always be people who are much better at doing this or doing that " but you are the only you."

"There's a glorious sense of freedom in comedy, just allowing myself to tell jokes, allowing myself to interrupt myself and tell old African folk stories that I made up - or didn't - and Jamaican stories."

"Yes. We both have a bad feeling. Tonight we shall take our bad feelings and share them, and face them. We shall mourn. We shall drain the bitter dregs of mortality. Pain shared, my brother, is pain not doubled, but halved. No man is an island."

"One describes a tale best by telling the tale. You see? The way one describes a story, to oneself or to the world, is by telling the story. It is a balancing act and it is a dream. The more accurate the map, the more it resembles the territory. The most accurate map possible would be the territory, and thus would be perfectly accurate and perfectly useless. The tale is the map that is the territory.You must remember this."

"So the Comic Book Legal Defense Fund is out there preserving and fighting for, and sometimes winning and sometimes losing, the fight for First Amendment rights in comics and, more generally, for freedom of speech."

"So I went out and bought myself a copy of the Writer and Artist Yearbook, bought lots of magazines and got on the phone and talked to editors about ideas for stories. Pretty soon I found myself hired to do interviews and articles and went off and did them."
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