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John Eaton

"Well, let me, first of all, say, that as a microtonal composer, I've never been much of a theorist."

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"Well, let me, first of all, say, that as a microtonal composer, I've never been much of a theorist."

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Amber Hurdle

"Then I started listenin' a lot to classical composers. Piano works. Just to see what they were doin'. That sort of put me in a different groove to try to blend all that in."

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Amber Hurdle

"The Russian composers, especially, tricked the symphony orchestra into the kind of dynamic, rhythmic thing."

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Amber Hurdle

"The Western musical canon came about not merely by accumulation, but by opposition and subversion, both to the ruling powers on whom composers depended for their livelihoods and to other musics."

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Amber Hurdle

"Many, many composers have only found their way to a certain form, through familiarizing themselves with texts."

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Amber Hurdle

"Other composers have taken this particular technique much further than I in the meantime, with the result that the Law of Diminishing Returns has begun to apply."

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Amber Hurdle

"Perhaps two million years ago the creatures of a planet in some remote galaxy faced a musical crisis similar to that which we earthly composers face today."

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Amber Hurdle

"Composers are always going back to the past."

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Amber Hurdle

"I've heard though that there is a younger generation of tonal French composers who are reacting with vigour."

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Amber Hurdle

"I loved Hendrix. I mean, really, really loved him. As if he were one of the great classical composers. And he was. That's how I saw him."

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Amber Hurdle

"In Hollywood, the rainbow hits the ground for composers."

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John Eaton
"Well, opera began with an intent to resuscitate Greek drama, that is, modern opera as we know it."
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John Eaton
"However, yes, especially as one gets older, you know, you really hope that your music will become more generally available, even though some of the performances might be riddled with faults."
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John Eaton
"It's not important to me to found a school; it's not important to me to have disciples."
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John Eaton
"We need it to capture the energy of contemporary life."
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John Eaton
"I really write for people."
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John Eaton
"If you look at the timing of many of the Greek dramas from the theatrical point of view, it's all off, and I think the reason for that is that music played a very important part."
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John Eaton
"Nevertheless, one doesn't have time to think, oh, well, this is a quarter tone sharp, or flat."
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John Eaton
"Well, the very best operas are the ones written by the very best composers."
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John Eaton
"I think I was first to do live performances on a modern electronic sound synthesizer."
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John Eaton
"I've just simply used what I've used because of the great, great expressive potential of it."
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