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John Eaton

"Well, let me, first of all, say, that as a microtonal composer, I've never been much of a theorist."

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"Well, let me, first of all, say, that as a microtonal composer, I've never been much of a theorist."

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Amber Hurdle

"Composers dialogue - and obsessively, bitterly argue - with other composers, often over the span of several centuries."

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Amber Hurdle

"Other composers have taken this particular technique much further than I in the meantime, with the result that the Law of Diminishing Returns has begun to apply."

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Amber Hurdle

"There are no black film composers doing the likes of Star Wars, doing the likes of E.T., doing the likes of Jurassic Park. There are none, nor will there ever be one. That ain't about to happen!"

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Amber Hurdle

"Composers shouldn't think too much - it interferes with their plagiarism."

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Amber Hurdle

"Most of the important composers in our country are clustered in the Northeast."

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Amber Hurdle

"I occasionally play works by contemporary composers and for two reasons. First to discourage the composer from writing any more and secondly to remind myself how much I appreciate Beethoven."

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Amber Hurdle

"I loved Hendrix. I mean, really, really loved him. As if he were one of the great classical composers. And he was. That's how I saw him."

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Amber Hurdle

"Composers in the old days used to keep strictly to the base of the theme, as their real subject. Beethoven varies the melody, harmony and rhythms so beautifully."

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Amber Hurdle

"I was not influenced by composers as much as by natural objects and physical phenomena."

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Amber Hurdle

"The Western musical canon came about not merely by accumulation, but by opposition and subversion, both to the ruling powers on whom composers depended for their livelihoods and to other musics."

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John Eaton
"We need it to capture the energy of contemporary life."
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John Eaton
"Well, the very best operas are the ones written by the very best composers."
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John Eaton
"Well, opera began with an intent to resuscitate Greek drama, that is, modern opera as we know it."
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John Eaton
"Nevertheless, one doesn't have time to think, oh, well, this is a quarter tone sharp, or flat."
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John Eaton
"I'm thinking in terms of a point of departure, a field of action for performers to express an expressive need of mine which hopefully the context of music would convey."
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John Eaton
"What's important for me is to communicate the vision that I have in sound with the audience that's hearing it."
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John Eaton
"If you look at the timing of many of the Greek dramas from the theatrical point of view, it's all off, and I think the reason for that is that music played a very important part."
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John Eaton
"However, yes, especially as one gets older, you know, you really hope that your music will become more generally available, even though some of the performances might be riddled with faults."
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John Eaton
"I think a lot of composers get into trouble just making up a plot and expecting an audience to follow that."
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John Eaton
"I think one of the greatest enemies in the use of technology, however, is the idea that if you use the technology you have to throw other things out of the window."
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