"For the purposes of the play, it was perfect to be able to use that and the stresses and strains that there were. At the end of the play, the mother realizes the terrible things she had done."

Mother, End, Play

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"For the purposes of the play, it was perfect to be able to use that and the stresses and strains that there were. At the end of the play, the mother realizes the terrible things she had done."

Exlpore more Mother quotes

"The longest tenured First LOVE and Greatest TEACHER, in-fact life long, is none the other, but Mother."

Vikrmn, Indian Author

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"A mother's love is more beautiful than any fresh flower."

Debasish Mridha, American Author

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"Few misfortunes can befall a boy which bring worse consequence than to have a really affectionate mother."

W. Somerset Maugham, British Playwright

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"I know Mother named me after a railroad man, but it's too late now, I'm afraid. Much, much too late."

Hoagy Carmichael, American Composer

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"I want to thank my mother and my father for teaching me to have a dream. You are seeing my dream come true."

Louise Fletcher, American Actress

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"Now I have children of my own. They ask their mother what will I be. Will I be handsome, will I be rich?"

Jay Livingston, American Composer

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"If I'd seen a grown man beating a crippled boy, of course I'd intervene. If my father died and left my mother destitute, it's your instinct to take care of her. So when I started to think about it in those terms, it started to make sense to me."

Charlie Hunnam, English Actor

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"My mother, Dorothy Watson, had met my father in a Greek class at Northwestern University."

James Cronin, American Physicist

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"With each piece I've completed I have worked to make it intact, and each of them has been an equal high. It's like children. A mother refuses to pick out one as a favorite, and I can't do any better with the dances."

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"Getting caught is the mother of invention."

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Explore more quotes by Fay Wray

"Well, the Empire State was about 40' high in the studio. King Kong was a little model about 2' high, and the scenery that he worked in was in proportion to his size."

State

"So I was asked to do horror film after horror film, a series of about five, after that, and some of those were a little too gruesome. I wasn't too comfortable all the time in those. I didn't really care for them."

Time

"When the picture was finished, they took me into the sound room and then I screamed more for about five minutes just steady screaming, and then they'd cut that in and add it."

Sound

"I went to Washington to ask for a little residual payment for the people who had written films in the early, early days, people who never got any residuals on tapes or anything at all."

People

"As far as advice, that will be in my next book, my next collection. I certainly never like to instruct anyone, but just say as I feel. That's the same as advice, isn't it?"

Advice

"I thought I saw him for what he was-or what I thought he was. And he was talented, no doubt about that. But, he thought his talent was based on misery and that if he became happy it would just go. He believed that."

Talent

"There were shots of Kong pulling at my clothes, but only in horizontal and never from above. Never from above."

Clothes

"Cary Grant was wonderful to work with on stage. He would move downstage, so that as he looked at me the audience had to look at me, too. He knew a lot about the theater and how to move around. He was very secure."

Work

"Paul Lucas had a particularly amusing accent, so I chuckled. That was terrible; I shouldn't have done that, but he took it too big. He got up and said he couldn't work with people who laughed at him!"

Work

"I think the studio gave me that series on purpose, because they knew perfectly well that Robert Riskin was ill and that I needed to go to work. They gave me that series to do."

Work