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Hilary Mantel

"I aim to make the fiction flexible so that it bends itself around the facts as we have them. Otherwise I don't see the point. Nobody seems to understand that. Nobody seems to share my approach to historical fiction. I suppose if I have a maxim, it is that there isn't any necessary conflict between good history and good drama."

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"I aim to make the fiction flexible so that it bends itself around the facts as we have them. Otherwise I don't see the point. Nobody seems to understand that. Nobody seems to share my approach to historical fiction. I suppose if I have a maxim, it is that there isn't any necessary conflict between good history and good drama."

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Amber Hurdle

"Socially interacting with a storyteller can be a frustrating challenge because a portion of her awareness is constantly sorting through the details of a developing book. And while you may successfully engage in a meaningful conversation with her, an additional part of her mind is frantically sifting through descriptive lines to be used if ever she were to write this exchange down. The trouble with writers is that they are ALWAYS writing!"

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Personal Development

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Amber Hurdle

"Far more often [than asking the question 'Is it true?'] they [children] have asked me: 'Was he good? Was he wicked?' That is, they were far more concerned to get the Right side and the Wrong side clear. For that is a question equally important in History and in Faerie."

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Personal Development

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Amber Hurdle

"To be stories at all they must be a series of events: but it must be understood that this series - the plot, as we call it - is only really a new whereby to catch something else."

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Personal Development

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Amber Hurdle

"This is how deeply rooted stories are, folks. We crave them before we can walk, and we start telling them before we can talk."

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Personal Development

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Amber Hurdle

"As though she had entered a fable, as though she were no more than words crawling along a dry page, or as though she were becoming that page itself, that surface on which her story would be written and across which there blew a hot and merciless wind, turning her body to papyrus, her skin to parchment, her soul to paper."

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Personal Development

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Amber Hurdle

"What you need to remember is that there's a difference between lecturing about what you know and using it to enrich the story. The latter is good. The former is not."

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Personal Development

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Amber Hurdle

"Experience is the catalyst for all great stories."

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Amber Hurdle

"The glory of a good tale is that it is limitless and fluid, a good tale belongs to each reader in its own particular way."

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Personal Development

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Amber Hurdle

"What are these fundamental principles, if they are not atoms?""Stories. And they give me hope."

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Amber Hurdle

"We owe it to each other to tell stories."

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Hilary Mantel
"I picked up a snake once. In Italy.""Why did you do that?""For a bet.""Was it poisonous?""We didn't know. That was the point of the bet.""Did it bite you?""Of course.""Why of course?""It wouldn't be much of a story, would it? If I'd put it down unharmed, and away it slid?"

Experience

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Hilary Mantel
"This is what death does to you, it takes and takes, so that all that is left of your memories is a faint tracing of spilled ash."

Mortality

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Hilary Mantel
"I didn't cry much after I was 35, but staggered stony-faced into middle age, a handkerchief still in my bag just in case."

Reflection

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Hilary Mantel
"For I chase but one hind, he says, one strange deer timid and wild, and she leads me off the paths that other men have trod, and by myself into the depths of the wood."

Motivation

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Hilary Mantel
"History is not the past it is the method we have evolved of organising our ignorance of the past."

History

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Hilary Mantel
"If you help load a cart you get a ride in it, as often as not. It gives him to think, how bad people are at loading carts. Men trying to walk straight ahead through a narrow gateway with a wide wooden chest. A simple rotation of the object solves a great many problems."

Labor

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Hilary Mantel
"He runs his eye along the row of knives in their racks, the cleavers for splitting bones. He picks one up, looks at its edge, decides it needs sharpening and says, "Do you think I look like a murderer? In your good opinion?"A silence. After a while, Thurston proffers, "At this moment, master, I would have to say..."

Morality

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Hilary Mantel
"The story of my own childhood is a complicated sentence that I am always trying to finish, to finish and put behind me. It resists finishing, and partly this is because words are not enough; my early world was synaesthesic, and I am haunted by the ghosts of my own sense impressions, which re-emerge when I try to write, and shiver between the lines."

Memory

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Hilary Mantel
"The prose, Robespierre said. "It's so clean, no conceits, no show, no wit. He means every word. Formerly, you see, he meant every other word. That was his style."

Literature

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Hilary Mantel
"I think now that this is the great division between people. There are people who find life hard and those who find it easy. There are those who have a natural, in-built, expectation of happiness, and there are those who feel that happiness is not to be expected: that it is not, in fact, one of the rights of man. Nor, God knows, one of the rights of women."

Happiness

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