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Ken Burns

"When you are editing, the final master is Aristotle and his poetics. You might have a terrific episode, but if people are falling out because there are just too many elements in it, you have to begin to get rid of things."

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"When you are editing, the final master is Aristotle and his poetics. You might have a terrific episode, but if people are falling out because there are just too many elements in it, you have to begin to get rid of things."

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Ken Burns
"I have made all my films for my children with the exception of my first film because my oldest daughter wasn't born when I was making the film about the Brooklyn Bridge."
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Ken Burns
"You don't work on something for six years and be blind to the myriad of other approaches."
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Ken Burns
"History is malleable. A new cache of diaries can shed new light, and archeological evidence can challenge our popular assumptions."
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Ken Burns
"I think we too often make choices based on the safety of cynicism, and what we're lead to is a life not fully lived. Cynicism is fear, and it's worse than fear - it's active disengagement."
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Ken Burns
"I record all of my music with authentic instruments in a studio before we start editing, doing many, many versions. The music shapes the film as we edit so it has an organic relationship to the content."
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Ken Burns
"The way I work, the interview never becomes larger than the person being interviewed."
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Ken Burns
"History's just been made for sale to an inside deal."
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Ken Burns
"By its very nature, no one person can ever be the center of jazz."
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Ken Burns
"To say that an artist sells out means that an artist is making a conscious choice to compromise his music, to to weaken his music for the sake of commercial gain."
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Ken Burns
"You know, you meet some people, and do a lot of interviews, and you come across a Buck O'Neill and you know you are going to know him for the rest of your life. The same thing happened with Curt Flood."
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