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Ken Burns

"When you are editing, the final master is Aristotle and his poetics. You might have a terrific episode, but if people are falling out because there are just too many elements in it, you have to begin to get rid of things."

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"When you are editing, the final master is Aristotle and his poetics. You might have a terrific episode, but if people are falling out because there are just too many elements in it, you have to begin to get rid of things."

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Amber Hurdle

"The Edge... there is no honest way to explain it because the only people who really know where it is are the ones who have gone over."

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Amber Hurdle

"But contrary to what some people seem to think, I was never a bully. I was just a hard man."

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Amber Hurdle

"If you're in trouble, or hurt or need - go to the poor people. They're the only ones that'll help - the only ones."

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Amber Hurdle

"Part of the early Who career was all about knocking people's confidences out."

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Amber Hurdle

"To people outside, they think, Gee, that's great. You get to go here and there. The other side of that is our expression, This is location, not vacation."

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Amber Hurdle

"I wouldn't even get elected. I'd probably deck a couple of people, too which would not play very well with the national media."

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Amber Hurdle

"I disagree with people who think you learn more from getting beat up than you do from winning."

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Amber Hurdle

"Saddam has committed many crimes against humanity and against his own people."

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Amber Hurdle

"The mutual fund industry and small investors are very relentless and very unforgiving if people don't perform."

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Amber Hurdle

"Help is even being offered from across the ocean, as over two dozen countries have stepped forward to offer financial and material support to the American people."

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Ken Burns
"I never, ever want to apologize for a film. If it's bad I'll say it's my fault. And that's what I can say so far in all the films that I've done, that if you don't like it, it's entirely my fault."
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Ken Burns
"Good history is a question of survival. Without any past, we will deprive ourselves of the defining impression of our being."
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Ken Burns
"By its very nature, no one person can ever be the center of jazz."
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Ken Burns
"I record all of my music with authentic instruments in a studio before we start editing, doing many, many versions. The music shapes the film as we edit so it has an organic relationship to the content."
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Ken Burns
"You need, as a historian, essential triangulation from your subject and the only way you get that triangulation is through time."
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Ken Burns
"You can learn as much about the history from reading about the present as you can vice versa, that is learning about the present through history, which is what I do for a living."
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Ken Burns
"I treat the photograph as a work of great complexity in which you can find drama. Add to that a careful composition of landscapes, live photography, the right music and interviews with people, and it becomes a style."
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Ken Burns
"I am passionately interested in understanding how my country works. And if you want to know about this thing called the United States of America you have to know about the Civil War."
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Ken Burns
"The genius of our country is improvisation, and jazz reflects that. It's our great contribution to the arts."
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Ken Burns
"In most films music is brought in at the end, after the picture is more or less locked, to amplify the emotions the filmmaker wants you to feel."
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