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"She told fortunes for a living. It's a wacky book and was great fun to write. It is very much a look at what life was like for women in Australia in the 1960's."
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"The condition you're in at this moment is the product of your previous thoughts, to change your condition, change your thoughts."
Personal Development

"And there wasn't anything he wanted to do that he couldn't make time for. What did he have to mope about, really? What more did he want? Love, he could hear Eve saying. Purpose. Love. Purpose. Those are the things that you can't plan for. Those are the things that just happen. And what if they don't happen? Do you spend your whole life pining for them? Waiting to be happy?"

"An artist is he for whom the goal and center of life is to form his mind."

"To say something great, you must first stop trying to say something great! Sometimes struggling is an obstacle to reach the target! Flow like a river, calmly, naturally, enjoying the present moment, without thinking of the ocean and finally you will be there!"
Explore more quotes by Colleen McCullough

"Once I've got the first draft down on paper then I do five or six more drafts, the last two of which will be polishing drafts. The ones in between will flesh out the characters and maybe I'll check my research."

"My husband says it is very good that I have very tiny feet, because they're easier to get in my mouth."

"In early draft it never satisfied me, and that was when it clicked into place and it went so well as a diary."

"I stopped this one about two months before federation and I want the next one to be more political. It will deal with the formation of white Australian policy and things like that."

"I have an editor in my head, that's why I can't read Harry Potter, because Rowling is such a lousy writer."

"I am writing a sequel to The Touch because I want to further explore the Chinese question that I have raised. There will be more about that in a sequel."

"I want to know what they look like, their height, and colouring, physique and speech pattens."

"My fictitious characters will take the bit between their teeth and gallop off and do something that I hadn't counted on. However, I always insist on dragging them back to the straight and narrow."

"In The Touch, the love scenes are the same as they were in The Thorn Birds or anything else I've ever written. I find a way of saying that either it was heaven or hell but in a way that still leaves room for the reader to use their own imagination."
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