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"Movies have influenced all writers, not just thriller writers."
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"Although charismatic, James Dean is no Harrison Ford. In the majority of his movies, sooner or later he got the crap beaten out of him."

"Movies give me an opportunity to go places. I'm not only a Swede but an American, not just a man of my time, but I've been living 2,000 years ago-and not just in a new country, America, but in the Holy Land, too."

"I sure lost my musical direction in Hollywood. My songs were the same conveyer belt mass production, just like most of my movies were."

"There's no way I'm going to put this kid in the movies, because of the rejection. It's so hard as an adult, so why set her up to feel that bad as a child?"
Explore more quotes by Ken Follett


"I don't think there's any great mystery to writing female characters, so long as you talk to them. If you lived in a monastery and never met any women, maybe it would be difficult."


"I use a professional researcher in New York who does all the legwork, all that stuff which would take me days and weeks of calling, waiting for people to call back."


"There was a very serious communist strain among American intellectuals before the war. America was a more tolerant place in those days, and Communists were not treated as pariahs. That ended with the McCarthy era."


"I like to create imaginary characters and events around a real historical situation. I want readers to feel: OK, this probably didn't happen, but it might have."


"World War II is the greatest drama in human history, the biggest war ever and a true battle of good and evil. I imagine writers will continue to get stories from it, and readers will continue to love them, for many more years."


"When I'm writing a woman character, I don't think, 'What would a woman do?' I just think, 'What would this character do in this situation?'"


"James Bond is quite serious about his drinks and clothing and cigarettes and food and all that sort of thing. There is nothing wry or amused about James Bond."


"For success, the author must make the reader care about the destiny of the principals, and sustain this anxiety, or suspense, for about 100,000 words."
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