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"I did documentaries for maybe 10 years before I turned to fiction films."
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"Literary fiction, as a strict genre, is all but dead. Meanwhile, most genres flourish."
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"The beautiful illusion of fiction is that everything makes sense and that there was a purpose, that there was a point to it all. And that's the best possible lie because it may even be true."
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"Language does not always have to wear a tie and lace-up shoes. The object of fiction isn't grammatical correctness but to make the reader welcome and then tell a story, to make him/her forget, whenever possible, that he/she is reading a story at all."
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"Adventure! People talked about the idea as if it were something worthwhile, rather than a mess of bad food, no sleep and strange people inexplicably trying to stick pointed objects in bits of you."
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"She even tried the one which every romantic nerve in her body insisted should work, which consisted of theatrically giving up, sitting down, and letting her glance fall naturally on a patch of earth which, if she had been in any decent narrative, should have contained the book.It didn't."
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"Where do you think they've gone?' he said.'Where what?' said Lady Ramkin, temporarily halted.'The dragons. You know. Errol and his wi - female.''Oh, somewhere isolated and rocky, I should imagine,' said Lady Ramkin. 'Favourite country for dragons.''But it - she's a magical animal,' said Vimes. 'What'll happen when the magic goes away?'Lady Ramkin gave him a shy smile.'Most people seem to manage,' she said.She reached across the table and touched his hand."
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"You can't burn down a made-up place."
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"Bilbo Baggins was standing at his door after breakfast smoking an enormous long wooden pipe that reached nearly down to his woolly toes (neatly brushed)-Gandalf came by."
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"Flakes of snow swirled and danced across the porch. The Overlook faced it as it had for nearly three-quarters of a century, its darkened windows now bearded with snow, indifferent to the fact it was now cut off from the world. Inside its shell the three of them went about their early evening routine, like microbes trapped in the intestine of a monster."
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"But to be perfectly frank, this childish idea that the author of a novel has some special insight into the characters in the novel...it's ridiculous. That novel was composed of scratches on a page, dear. The characters inhabiting it have no life outside of those scratches. What happened to them? They all ceased to exist the moment the novel ended."
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"So the search for a father in Central Station is also a search for a country."
Family

"The Sundance Institute has been vital to the film communities of Latin America."
Support

"The Peruvian faces are completely different from that faces in Argentina and in Brazil."
Diversity

"The necessity to conceptualise has to come very early on, and defining a vector of development for that film also at the beginning of the process will allow you much more freedom as you go along."
Development

"The other aspect is that you become much more aware of the structural problems that pertain to that continent. You feel the need to act to try and solve them."
Act

"The films that I've done before were original stories most of the time, I did two adaptations before this, but they were mostly original stories where I had complete freedom to evolve in the direction I wanted."
Time

"I come from a country and also a continent whose identity is in the making. We're a very young culture, and I think that things are not yet crystallised."
Nation

"I'm much more interested in living specific experiences in films."
Living

"I come from Brazil, which is a Portuguese speaking part of the continent."
Location

"Also, I knew that the impact of Motorcycle Diaries was going to be so resonant for all of us who went through the experience of making it that I didn't want to do anything that could reflect it."
Experience
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