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Danny Elfman

"I can't get that live and I don't have the time to take the tape, after I've finished recording it, into a little studio somewhere else where I can get a different kind of percussion sound."

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"I can't get that live and I don't have the time to take the tape, after I've finished recording it, into a little studio somewhere else where I can get a different kind of percussion sound."

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Amber Hurdle

"Do not waste your time on Social Questions. What is the matter with the poor is Poverty; what is the matter with the rich is Uselessness."

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Amber Hurdle

"Time is standing still. We are measuring ourselves by how far we are going."

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Amber Hurdle

"Forever, time is standing still. We are flying away with the wings of desire we call life."

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Amber Hurdle

"Life is defined by time and seasons."

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Amber Hurdle

"If you want to know the value of a minute ask the person who came to the train station or airport a minute late."

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Amber Hurdle

"Past, I am letting you go. Future, I will see you tomorrow. Present, I love you, live in you, celebrate you, and will never let you go."

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Amber Hurdle

"The time at our disposal each day is elastic; the passions we feel dilate it, those that inspire us shrink it, and habit fills it."

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Amber Hurdle

"A realization that even if you had discovered the future, it really didn't change how you lived in the present. They were truth, but they weren't all the truth."

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Amber Hurdle

"You can never live in the past. You always live in the tiny gap between the present and the future."

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Amber Hurdle

"Don't equate effective living to being busy."

Explore more quotes by Danny Elfman

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Danny Elfman
"Doing Tim's film is always going to be the most pleasure. Let me just put it that way. So, without drawing favorites one way or the other, getting back with him and doing Mars Attacks! was certainly a special treat."
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Danny Elfman
"I think that there's a lot more freedom in the low budget, the independent films where, unfortunately, you don't have the money, necessarily, to get the orchestras in there to play a lot of stuff. But, you have a lot more freedom, very often."
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Danny Elfman
"I would have to say I might do some stuff, but it's the film that's appealing. I was raised on film. My musical experience is all via film, it's not from classical music."
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Danny Elfman
"I'm trying to interpret the film through the director's head, but it all comes out through me. So, a composer is kind of like a psychic medium."
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Danny Elfman
"Sometimes I like them artificial and sometimes I like them real. And the reason is because sometimes I like a real close sound. And I like a very specific snare sound and I can't get that in the big room."
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Danny Elfman
"In Tim's films, more than most, if you miss the tone, you don't get the film."
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Danny Elfman
"It's hard to get a film, you know, you need a very special film to be able to get that experimental. But, I would love to see that happen. I would love the opportunity to be more experimental than I am."
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Danny Elfman
"That still has to be there. And so, it's kind of an interesting question you brought up. Because, on the one hand, yeah, it'd be lovely. I certainly don't see that happening. In fact, I see the opposite happening."
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Danny Elfman
"Or certainly I would need time - which I would love to have but there almost never is on a film - to just spend a week with a roomful of guys laying down these patterns."
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Danny Elfman
"You're allowed to rip-off another score so close that it's ridiculous. In my opinion it's ridiculous, how closely one can just rip-off a score that happened a year or two earlier."
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