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"We know only that in some strange and melancholy way we have become a waste land. All the same, we are not often sad."
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"That's the existential problem," Fat said, "based on the concept that We are what we do, rather than, We are what we think. It finds its first expression in Goethe's Faust, Part One, where Faust says, 'Im Anfang war das Wort'. He's quoting the opening of the Fourth Gospel; 'In the beginning was the Word.' Faust says, 'Nein. Im Anfang war die Tat.' In the beginning was the Deed. From this, all existentialism comes."

"Why I came here, I know not; where I shall go it is useless to inquire - in the midst of myriads of the living and the dead worlds, stars, systems, infinity, why should I be anxious about an atom?"

"Relativism is not indifference; on the contrary, passionate indifference is necessary in order for you not to hear the voices that oppose your absolute decrees."

"What is life? Thoughts and feelings arise, with or without our will, and we employ words to express them. We are born, and our birth is unremembered and our infancy remembered but in fragments. We live on, and in living we lose the apprehension of life. How vain is it to think that words can penetrate the mystery of our being. Rightly used they may make evident our ignorance of ourselves, and this is much."

"Suppressing the fear of death makes it all the stronger. The point is only to know, beyond any shadow of doubt, that "I" and all other "things" now present will vanish, until this knowledge compels you to release them - to know it now as surely as if you had just fallen off the rim of the Grand Canyon. Indeed you were kicked off the edge of a precipice when you were born, and it's no help to cling to the rocks falling with you. If you are afraid of death, be afraid. The point is to get with it, to let it take over - fear, ghosts, pains, transience, dissolution, and all."

"We follow our scripts like actors in a very large, very long production. And even with no audience, none of us gives a hint that it isn't real."

"But to think there was meaning, a scheme to things, well, that was quite beyond her philosophical reach. She feared as she always had, that all that was ever meant was loneliness, hard work, striving to make a difference when no difference could possibly be made. It was like dipping a stick into the ocean and trying to write something " all the little people of the world spinning out little patterns that lasted no more than a few years, and meant nothing at all."

"Mesa, adorno de marfil, arcoíris, cebolla, peinado, molusco, Sabbat, violencia, cutícula, melodrama, cuneta, miel, pañuelo... Nada la conmovía. (...) Nada conseguía ser más de lo que era en realidad. Eran solo cosas, prisioneras de su propia esencia."

"Cursed, cursed creator! Why did I live? Why, in that instant, did I not extinguish the spark of existence which you had so wantonly bestowed?"

"CLOV:Do you believe in the life to come?HAMM:Mine was always that."
Explore more quotes by Erich Maria Remarque

"We don't act like that because we are in good humor we are in a good humor because otherwise we should go to pieces."

"Sweet words. Gentle deceptive balm. Help, love, to belong together, to come back again- words, sweet words. Nothing but words. How many words existed for this simple, wild, cruel attraction of two bodies! What a rainbow of imagination, lies, sentiment, and self-deception enclosed it!"

"Beside us lies a fair-headed recruit in utter terror. He has buried his face in his hands, his helmet has fallen off. I fish hold of it and try to put it back on his head. He looks up, pushes the helmet off and like a child creeps under my arm, his head close to my breast. The little shoulders heave. Shoulders just like Kemmerich's. I let him be."

"How senseless is everything that can ever be written, done, or thought, when such things are possible. It must be all lies and of no account when the culture of a thousand years could not prevent this stream of blood being poured out, these torture-chambers in their hundreds of thousands. A hospital alone shows what war is."

"I lie down on many a station platform; I stand before many a soup kitchen; I squat on many a bench; - then at last the landscape becomes disturbing, mysterious, and familiar. It glides past the western windows with its villages, their thatched roofs like caps, pulled over the white-washed, half-timbered houses, its corn-fields, gleaming like mother-of-pearl in the slanting light, its orchards, its barns and old lime trees. The names of the stations begin to take on meaning and my heart trembles. The train stamps and stamps onward. I stand at the window and hold on to the frame. These names mark the boundaries of my youth."

"Where would the world be if we took every man to book? There were thousands of Kantoreks, all of whom were convinced that they were acting for the best- in a way that cost them nothing."

"We were trained in the army for ten weeks and in this time more profoundly influenced than by ten years at school. We learned that a bright button is weightier than four volumes of Schopenhauer. At first astonished, then embittered, and finally indifferent, we recognised that what matters is not the mind but the boot brush, not intelligence but the system, not freedom but drill. We became soldiers with eagerness and enthusiasm, but they have done everything to knock that out of us. After three weeks it was no longer incomprehensible to us that a braided postman should have more authority over us than had formerly our parents, our teachers, and the whole gamut of culture from Plato to Goethe."

"I am young, I am twenty years old; yet I know nothing of life but despair, death, fear, and fatuous superficiality cast over an abyss of sorrow. I see how peoples are set against one another, and in silence, unknowingly, foolishly, obediently, innocently slay one another."
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