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"Of course, we wrote the songs accordingly and performed and recorded them that way. At that time, we really thought it was right, but you know, seen in retrospect, it made the album sound forced, and not really great."
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"Perfection is attained by slow degrees; it requires the hand of time."
"The mind of man works with strangeness upon the body of time. An hour, once it lodges in the queer element of the human spirit, may be stretched to fifty or a hundred times its clock length; on the other hand, an hour may be accurately represented by the timepiece of the mind by one second. This extraordinary discrepancy between time on the clock and time in the mind is less known than it should be, and deserves fuller investigation."
"Today and now I hate this words they sound horrible, sound powerful and you just get more older and more older. I just said them when I was 9, now I'm 16 soon I will be 17. And again I use them "now" and "today" you can also say "no" but it's now 18:07 after five blinks with the eyes it just becomes 18:08, I hate today. Everyone uses it, but it's for two different places I also use today, for me is 4.10.2016, but for you this is past, and your today is 4.10.2026..."
"For an author to write as he speaks is just as reprehensible as the opposite fault, to speak as he writes; for this gives a pedantic effect to what he says, and at the same time makes him hardly intelligible."
"Great minds are related to the brief span of time during which they live as great buildings are to a little square in which they stand: you cannot see them in all their magnitude because you are standing too close to them."
Time,
"There is one kind of robber whom the law does not strike at, and who steals what is most precious to men: time."
Explore more quotes by Mark McGrath
"There are a lot of people out there who are just waiting that we fail. They brought up the theory that we're one-hit wonders and they want us to fall flat on our noses, just to prove them right."
"Today they're praising you sky high, place you on a pedestal and tomorrow they don't want to know you."
"I never really thought we'd fitted into the cross-over drawer. But I think the real Sugar Ray fans did like us because we always had variety and because we experimented a lot."
"All we did was to sit around, collect some ideas, wait and see what's going to happen. That was it."
"It's funny; we never had anything like credibility. Even though we all have some sort of punk-rock background, but so what? I really don't care about that. What's credibility anyway? Who has credibility?"
"I really do hope that the people will like 14:59. The critics seem to like it. We got a lot of good reviews."
"You know how it is with drawers and labels in the music business. They don't want anything to be complicated. They just want it simple, as simple as possible."
"I'm really fed up with all the credibility talk. A lot of times it seems to be more important than the music. Well, I guess for a lot of people it actually is. We don't care for credibility."
"We were kind of caught up in the genre trap. We didn't really have a lot of artistic freedom. They wanted us to go into a certain direction, so they could promote us easier."
"Of course, we wrote the songs accordingly and performed and recorded them that way. At that time, we really thought it was right, but you know, seen in retrospect, it made the album sound forced, and not really great."
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