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"It's rare that I actually have a story in my head. I have events or 'what's the next move?' Like, Maggie, 'where's she going to go in this story, where's she going to end up?' Then the story has to fill in the in-between, and that comes as I'm starting it."
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"Between the lines of every book the writer reveals their own secrets."
"I never know what I think about something until I read what I've written on it."
"In the middle section of the book Mirabelle breaks into not one, but two houses near Belgravia Books. I had fun scoping these out - checking which windows looked least secure and figuring out how to scale the mews houses to the rear to get her inside. A man came out at one point, 'What are you doing?' he questioned me. 'The thing is, I'm writing a book,' I started with a smile. He waved me off, his hand as wide as a tennis racket. 'Everyone is writing a book, my dear,' he said. Between you and I, it's his house that MIrabelle ends up breaking into."
"It is the most fun I'm ever going to have. I love to write. I love it. I mean, there's nothing in the world I like better, and that includes sex, probably because I'm so very bad at it. It's the greatest peace when I'm in a scene, and it's just me and the character, that's it, that's where I want to live my life."
"Some writers write to forget. Some forget to write."
"Most people assume I write at night because of the kind of books I write, but I can shut out the light with my mind."
"Heinlein's Rules for Writers - Rule One: You Must Write. Rule Two: Finish What Your Start. Rule Three: You Must Refrain From Rewriting, Except to Editorial Order. Rule Four: You Must Put Your Story on the Market. Rule Five: You Must Keep it on the Market until it has Sold."
Explore more quotes by Jaime Hernandez
"I leave a lot open so I can fill it in later. If I don't have any ideas right away, I can fill it in later."
"Every time I copy something, I can draw it for the rest of my life. But research is so painful - I mean just opening up a magazine looking for a picture of a car or looking out the window looking for a car is just hard!"
"To me, sex is sex and I don't think it is or should be a problem. Maybe my presenting it that way will unscrew up a few heads out there, including my own."
"The sizes and shapes of the panels have never been important to my stories. It has always been the words and images that drew me in, kind of like watching a movie."
"Every day I run into people who don't know what I do. And even after I explain it they still don't know what I do. So now I can just say, 'Pick up the Locas book!' And that tells them all."
"The Tom Strong thing was totally for the money. I plan to get looser after I finish this Maggie saga."
"I used to always read my stuff. And I could never understand why artists would say, 'Oh, I can't read my older stuff.' I'd go, 'Are you crazy? I could read my stuff forever!' Now it's a little harder."
"Comics as art. I do comics as comics, and my opportunity to tell stories. Simple. Basic. Let the characters have the excitement, not the package. That's where I come from."
"Half of me is very excited and the other half is 'Haven't we seen this stuff before?' But I'm very impressed. I almost couldn't picture it when it was being put together. I couldn't picture it being in my hand, what it would look like."
"It's rare that I actually have a story in my head. I have events or 'what's the next move?' Like, Maggie, 'where's she going to go in this story, where's she going to end up?' Then the story has to fill in the in-between, and that comes as I'm starting it."
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