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Salvatore Quasimodo

"From the night, his solitude, the poet finds day and starts a diary that is lethal to the inert. The dark landscape yields a dialogue."

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"From the night, his solitude, the poet finds day and starts a diary that is lethal to the inert. The dark landscape yields a dialogue."

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Amber Hurdle

"You spill a lot of beans in historical fiction. Crime fiction is about spilling no beans at all. You spill the least beans you possibly can. So because I had already written historical fiction before I was really good at the spilling beans section, but the new skill I had to learn when I was writing Brighton Belle was difficult. I had to avoid the equivalent of shouting, "this character's a murderer! Look who did it!."

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Amber Hurdle

"Don't say it was delightful; make us say delightful when we've read the description. You see, all those words (horrifying, wonderful, hideous, exquisite) are only like saying to your readers Please will you do the job for me."

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Amber Hurdle

"Show me a hero and I'll write you a tragedy."

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Amber Hurdle

"We write, edit, and rewrite the story of our own life employing descriptive words, metaphors, and symbols. Our lives are full of symbols including those supplied by nature and religion, which touch upon the mystical and spiritual aspects of life. Symbols inspire enduring hope by formulating idealist expectations."

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Amber Hurdle

"I'm a fairly undisciplined writer."

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Amber Hurdle

"Writers aren't exactly people, they're a bunch of people trying to be one person."

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Amber Hurdle

"My fellow Americans, ask not what your country can do for you, ask what you can do for your country."

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Amber Hurdle

"Pour your heart onto the page."

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Amber Hurdle

"One of my rules is never explain. A writer is a lot like a magician, if you explain how the trick works then a lot of the magic turns mundane."

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Amber Hurdle

"Twofold misjudgement. - The misfortune suffered by clear-minded and easily understood writers is that they are taken for shallow and thus little effort is expended on reading them: and the good fortune that attends the obscure is that the reader toils at them and ascribes to them the pleasure he has in fact gained from his own zeal."

Explore more quotes by Salvatore Quasimodo

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Salvatore Quasimodo
"The poet's spoken discourse often depends on a mystique, on the spiritual freedom that finds itself enslaved on earth."
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Salvatore Quasimodo
"Poetry is also the physical self of the poet, and it is impossible to separate the poet from his poetry."
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Salvatore Quasimodo
"After the turbulence of death, moral principles and even religious proofs are called into question."
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Salvatore Quasimodo
"The Resistance is a moral certainty, not a poetic one. The true poet never uses words in order to punish someone. His judgment belongs to a creative order; it is not formulated as a prophetic scripture."
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Salvatore Quasimodo
"An exact poetic duplication of a man is for the poet a negation of the earth, an impossibility of being, even though his greatest desire is to speak to many men, to unite with them by means of harmonious verses about the truths of the mind or of things."
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Salvatore Quasimodo
"In opposition to this detachment, he finds an image of man which contains within itself man's dreams, man's illness, man's redemption from the misery of poverty - poverty which can no longer be for him a sign of the acceptance of life."
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Salvatore Quasimodo
"The poet does not fear death, not because he believes in the fantasy of heroes, but because death constantly visits his thoughts and is thus an image of a serene dialogue."
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Salvatore Quasimodo
"Europeans know the importance of the Resistance; it has been the shining example of the modern conscience."
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Salvatore Quasimodo
"The writer of stories or of novels settles on men and imitates them; he exhausts the possibilities of his characters."
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Salvatore Quasimodo
"He passes from lyric to epic poetry in order to speak about the world and the torment in the world through man, rationally and emotionally. The poet then becomes a danger."
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