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Andrzej Wajda

"On the one hand, young theatre directors were coming to television theatre, because they wanted to get closer to the cinema, despite having studied and worked for the theatre."

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"On the one hand, young theatre directors were coming to television theatre, because they wanted to get closer to the cinema, despite having studied and worked for the theatre."

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Akshay Vasu

"For example, in painting the form arises from abstract elements of line and color, while in cinema the material concreteness of the image within the frame presents - as an element - the greatest difficulty in manipulation."

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Akshay Vasu

"There's still a 1950s view of cinema, that there's one audience and they all want to see the same thing."

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Akshay Vasu

"If cinema is a woman then certainly there are many shores."

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Akshay Vasu

"I guess we've had a very close relationship because I don't pretend to know about cinema and I think I do know a bit about theatre but he does, he respected that and so we really just had a collaboration which went completely like this."

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Akshay Vasu

"I think it's important that we all try to give something to this medium, instead of just thinking about what is the most efficient way of telling a story or making an audience stay in a cinema."

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Akshay Vasu

"Cinema should make you forget you are sitting in a theater."

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Akshay Vasu

"Although it is a fantasy film, it's as real as it can be. You have to imagine that an audience will buy their ticket to a cinema and get on a first-class flight and journey to Middle Earth."

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Akshay Vasu

"I did not make this a long film for its own sake. I wanted to make an entertaining film and offer it out there for those who want to see it. If word of mouth suggests there is an audience out there, hopefully their cinema will show it."

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Akshay Vasu

"Cinema in India is like brushing your teeth in the morning. You can't escape it."

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Akshay Vasu

"Realism is always subjective in film. There's no such thing as cinema verite."

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Andrzej Wajda
"Also a great part of Polish industry proved to have existed only to support the Soviet military industry, and it became superfluous and incapable of being transformed into anything else. We did not foresee that or the magnitude of these phenomena."

Being

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Andrzej Wajda
"Previously the same Polish audiences would have been pressured into seeing cinema made for adults, films made by us about those spheres of life that were significant for us and which should be significant for our society."

Life

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Andrzej Wajda
"A novelty in Polish filmmaking was that it was possible to find funds for a big production. However, at the same time, the state budget committed less and less money to filmmaking."

Money

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Andrzej Wajda
"However, that old mode of Polish filmmaking virtually disappeared."

Old

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Andrzej Wajda
"In the same period, Polish literature also underwent some significant changes. From social-political literature, which had a great tradition and strong motivation to be that way, Polish literature changed its focus to a psychological rather than a social one."

Motivational

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Andrzej Wajda
"With it adult political audiences abandoned cinemas. In their place appeared a void. That previous political audience migrated to the seats in front of their TV."

Media

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Andrzej Wajda
"It turned out that the country was helpless in the face of a new reality."

Nation

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Andrzej Wajda
"In Europe, there is no television filmmaking legislation that could assist film production because private broadcasters are not interested in supporting Polish film."

Media

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Andrzej Wajda
"The difficulty of writing a good theatre play set in new reality was even greater given that the level of similitude to life that is allowed in a film would not work on the stage."

Life

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Andrzej Wajda
"Suddenly, the screens were dominated by American entertainment to the extent of something like 95 percent. As a result, audiences turned away from the kinds of films that we used to make."

Media

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