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"The DFA and organizations like it have pushed and squeezed and elbowed out all the feeling in the world. They have clamped their fists around a geyser to keep it from exploding.But the pressure eventually builds, and the explosion will always come."
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"Fear says that what God has called me to is blatantly impossible. Selfishness says that the cost is unacceptably prohibitive. My humanity harbors other lesser agendas that seduce me to my own death. And I would be wise to believe none of it."

"Now the trumpet summons us again - not as a call to bear arms though arms we need not as a call to battle though embattled we are but a call to bear the burden of a long twilight struggle year in and year out 'rejoicing in hope patient in tribulation' a struggle against the common enemies of man: tyranny poverty disease and war itself."

"The right thing to do never requires any subterfuge, it is always simple and direct."

"The ongoing struggle to achieve a profound harmony between the deepest and most conflicting impulses of human beings instates the murkiness of my soul. The battle against the amorphousness of sin and depravity, and seeking unity and clarity, trace their origins to the primeval fire that launched humanity. This ancient warfare for control of the soul allows me to create myself. Because of the primordial inconsistences between ecstasy and reason, I am the repentant artist of my being. I am a beardless, sensuous, and androgynous sculptor, the redeemer and the transformer of my naked self."

"As soon as the rocky coast line of the island came into view, I ordered one of the ropes to wrap around Annabeth's waist, tying her to the foremast. "Don't untie me," she said, "no matter what happens or how much I plead. I'll want to go straight over the edge and drown myself." "Are you trying to tempt me?""Ha-ha."

"Out of our suffering we emerge. Our struggles are really our only hope."
Explore more quotes by Lauren Oliver

"I'd rather die on my own terms than live on theirs. I'd rather die loving Alex than live without him."

"Do the other kids make fun of you? For how you talk?''Sometimes.''So why don't you do something about it? You could learn to talk differently, you know.'But this is my voice. How would you be able to tell when I was talking?"

"Of course. That's what people do in a disordered world, a world of freedom and choice: they leave when they want. They disappear, they come back, they leave again. And you are left to pick up the pieces on your own."

"In my dream I know I am falling. But there is no up or down, no walls or sides or ceilings, just the sensation of cold and darkness everywhere. I am so scared I could scream. But when I open my mouth, nothing happens. And I wonder if you fall forever and never touch down, is it really still falling? I think I will fall forever."

"Could it be? Samantha Kingston? Home? On a Friday? I roll my eyes. "I don't know. Did you do a lot of acid in the sixties? Could be a flashback. "I was two years old in 1960. I came too late for the party. He leans down and pecks me on the head. I pull away out of habit. "And I'm not even going to ask how you know about acid flashbacks. "What's an acid flashback? Izzy crows. "Nothing, my dad and I say at the same time, and he smiles at me."

"Look, I'm not going to have sex with him just so he'll say that he loves me, you know?"...That isn't why I was planning to have sex with Rob - to hear the words, I mean. I just wanted to get it over with. I think. Actually, I'm not sure why it seemed so important."

"The hours here are flat and round, disks of gray layered one on top of the other...they move slowly, at a grind, until it seems as though they are not moving at all. They are just pressing down..."
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