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"The only thing I've loved is nothing at all. The only thing I've desired is what I couldn't even imagine. All I asked of life is that it go on by without my feeling it. All I demanded of love is that it never stop being a distant dream."
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"It's strange. How hollow i feel. Like there might be echoes inside of me. Like I'm one of those chocolate rabbits they used to sell around Easter, the ones that were nothing more than a sweet shell encapsulating a world of nothing. I'm like that. I encapsulate a world of nothing."
"There are 200,000 species of fly alone. So the void, the emptiness, must be in you."
"BucketI feel so dreamydreamy lazy, crazy sleepylike I want to be therein the doorway, the doorwayor the porch cornerbe sitting, be emptynotdoing not goingan old bucket left therein the porch corner is like I aman old empty bucket somebody left there."
"I almost said, you're not broken, you're just going through something. But I couldn't. She knew. There was something terribly wrong with her, all the way inside. She was like a big diamond with a dead spot in the middle. I was supposed to breathe life into that dead spot, but it hadn't worked."
"I constantly pack my pockets full of worthless trinkets, and in such misguided gorging I leave my heart empty and my soul emaciated because I have forgotten everything but trinkets."
"If I scan the expanse of my heart and find it empty of everything except emptiness, it is because I 'poured' the whole of my passion into something other than God. And anything other than God will always be too 'poor' to be able to 'pour' back anything that can fill that kind of emptiness."
Explore more quotes by Fernando Pessoa
"With slight misconceptions of reality we fabricate our hopes and beliefs, and we live off crusts that we call cakes, like poor children who make-believe they're happy."
"I feel closer ties and more intimate bonds with certain characters in books, with certain images I've seen in engravings, than with many supposedly real people with the metaphysical absurdity known as 'flesh and blood'. In fact, 'flesh and blood' describes them very well: they resemble cuts of meat laid out on the butcher's marble slab, dead creatures bleeding as though still alive."
"I'm astounded whenever I finish something. Astounded and distressed. My perfectionist instinct should inhibit me from finishing: it should inhibit me from even beginning. But I get distracted and start doing something. What I achieve is not the product of an act of my will but of my will's surrender. I begin because I don't have the strength to think, I finish because I don't have the courage to quit. This book is my cowardice."
"In this world we're all travelers on the same ship that has set sail from one unknown port en route to another equally foreign to us, we should treat each other therefore with the friendliness due to fellow travelers."
"A tree's shade is worth more than the knowledge of truth, my sons, for a tree's shade is true while it lasts, and the knowledge of truth is false in its very truth. The leaves' greenness is worth more, for a right understanding, than a great thought, for the leaves, greenness is something you can show others, but you can never show them a great thought. We are born without knowing how to talk and we die without having known how to express ourselves. Our life runs its course between the silence of one who cannot speak and the silence of one who wasn't understood, and around it hovers - like a bee where there are no flowers - a useless, inscrutable destiny."
"But if the Dream Kings were mine, what would I have to dream about? If I possessed the impossible landscapes, what would remain of the impossible?"
"I don't even suffer. My disdain for everything is so complete that I even disdain myself. The contempt I have for the sufferings of others I also have for my own. And so all my suffering is crushed under the foot of my disdain."
"Everything is interconnected. My readings of classical authors, who never speaks of sunsets, have made many sunsets intelligible to me, in all their colors. There is a relationship between syntactical competence, by which we distinguish the values of beings, sounds and shapes, and the capacity to perceive when the blue of the sky is actually green, and how much yellow is in the blue green of the sky. It comes down to the same thing - the capacity to distinguish and to discriminate. There is no enduring emotion without syntax. Immortality depends of the grammarians."
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