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Diana Gabaldon

"Sitting and waiting is one of the most miserable occupations known to man - not that it usually is known to men, women do it much more often."

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"Sitting and waiting is one of the most miserable occupations known to man - not that it usually is known to men, women do it much more often."

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Amber Hurdle

"The condition you're in at this moment is the product of your previous thoughts, to change your condition, change your thoughts."

Personal Development

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Amber Hurdle

"I find beauty in every sacred moment."

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Amber Hurdle

"Better to be dirty than dead."

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Amber Hurdle

"To get matured, you must have an education in the School of Solitude!"

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Amber Hurdle

"In silence we are loving and kind, in a crowd we become blind."

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Amber Hurdle

"Happiness is not defined by how much money you possess."

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Amber Hurdle

"I am giving my all in all to the sacred moments."

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Amber Hurdle

"The best things in life are the things that we cannot buy with money."

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Amber Hurdle

"There comes a time in each life like a point of fulcrum. At that time you must accept yourself. It is not anymore what you will become. It is what you are and always will be."

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Diana Gabaldon
"For a different woman, a different relationship, a different situation, gentleness might have been the proper, the only approach-but not for this woman, in these circumstances. The only thing that will cleanse Claire (and reassure her: look at what she says at the end of it. She feels safe again, having felt the power and violence in him) is violence. And-the most important point here-Jamie pays attention to what she wants, rather than proceeding with his own notion of how it should be, even though it's a sensible notion and the one most people would have."
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Diana Gabaldon
"I stood still, vision blurring, and in that moment, I heard my heart break. It was a small, clean sound, like the snapping of a flower's stem."
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Diana Gabaldon
"When you hold a child to your breast to nurse, the curve of the little head echoes exactly the curve of the breast it suckles, as though this new person truly mirrors the flesh from which it sprang."
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Diana Gabaldon
"He was generally aware that he had been blessed in her beauty; even in her usual homespun, knee-deep in mud from her garden, or stained and fierce with the blood of her calling, the curve of her bones spoke to his own marrow, and those whisky eyes could make him drunk with a glance. Besides, the mad collieshangie of her hair made him laugh."
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Diana Gabaldon
"Soldiers manage by dividing themselves. They're one man in the killing, another at home, and the man that dandles his bairn on his knee has nothing to do wi' the man who crushed his enemy's throat with his boot, so he tells himself, sometimes successfully."
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Diana Gabaldon
"Pointing out the emotion in a scene is like laughing at your own jokes."
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Diana Gabaldon
"But I talk to you as I talk to my own soul," he said, turning me to face him. He reached up and cupped my cheek, fingers light on my temple."And, Sassenach," he whispered, "your face is my heart."
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Diana Gabaldon
"Don't let characters talk pointlessly-they only talk if there's something to say."
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Diana Gabaldon
"I'll tell ye, Sassenach; if ever I feel the need to change my manner of employment, I dinna think I'll take up attacking women - it's a bloody hard way to make a living."
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Diana Gabaldon
"All loss is one, and one loss becomes all, a single death is the key to the gate that bars memory."
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